Kim Stanley Robinson’s 2015 novel is out of this world...literally. The multi-winner of the Hugo and Nebula awards takes us and 2,122 people on a trip out of our solar system to the single star, Tau Ceti. It’s 11.9 light years away. It will take 170 years and seven generations of people to get there. They are going to the moon, Aurora, orbiting around Planet E. They believe they can quickly terraform Aurora to support their human colony. The story (466 pages) goes through many stages such as: the arrival, the mystery of Aurora, the quarrels and fights between the different factions on board, the cryogenic freezing and ultimately... the final solution. I thought that the author generally kept my interest except when he deemed it necessary to give the reader too much technical information. If you have a Starship and an AI computer running the ship, that’s all I need to know. I’ll never understand all the scientific jargon anyway...so just tell your story, which for the most part, he did. All the main characters were kept to a minimum with everybody in the story having a mononymous name like Devi, Badim or Freya. This style of no last names led to no confusion in the who’s who category.
Anyway, the story centers around Devi (the unofficial chief engineer of the Starship), her husband, Badim (a member of the security council), and their daughter, Freya (the eventual protagonist). As they get closer to their destination, Devi asks the ship’s computer to narrate their journey. “Make a narrative account of the trip that includes all the important particulars.” So far they have traveled for 159 years, 119 days with the ship moving at a rate of one tenth the speed of light. They are purposely slowing down. “The deceleration will therefore be complete in just under twenty years.” Animal and human zoo devolution (things are reverting back to primitive forms) have begun in the ships twenty four self-contained biomes (large nature settings that depicts real countries on Earth). The IQ level of the new born children is dropping. Bacteria is starting to eat at the ship’s seals and crops are starting to fail. These are some of the many problems that Devi faces. The ship’s population is starting to get antsy as they near their destination. Since the ship needs to keep the population down to the original amount, some couples are not allowed to have a baby. Those couples are not happy. Suddenly Devi comes down with non-Hodgkins Lymphoma before they get to Aurora. She has been talking to the computer that runs the ship for twenty four years. Devi is dying.
Devi “taught ship (aka Pauline, or we). She talked to ship, like no one else in the 169 years of ship’s voyage had. Why had the others not? What was ship going to do without her? With no one to talk to, bad things can happen. Ship knew this full well.” After Devi had a sudden bad headache, ER people rushed her to the clinic. Badim and Freya sat tight in the clinic’s waiting room...then there were three doctors standing over them. “We’re sorry. She’s gone. Looks like she had a cerebral hemorrhage.” After the memorial service for Devi was over ''Preparations continued for their descent (they arrived!). Down to Aurora, down to Greenland (the name for the landing site), down to their new world, their new day. They were ready. They wanted down.” It was a “New beginning of a new history, new beginning of time itself: Day One, Year Zero. A0.1.” In ship time, 170.040. “Freya’s friend Euan was in the first landing crew...crews had been selected by lottery from among those trained to the various landing and setup jobs.” I’m afraid that’s all I’m going to tell you. This is where the story skedaddles to a thought-provoking ending. The next 350 pages are exhilarating! By the way, did you notice that the author asked most of the questions that I normally would ask in this paragraph?
RATING: 5 out of 5 stars
Comment: I’ve been reading a lot of sci/fi lately, mostly because authors have been sending me their space opera, or space odyssey to read and review. Kim Stanley Robinson is a different case altogether. He is a preeminent sci/fi writer and I wanted to read one of his classics. But I also want to read his award winning Mars trilogy: Red Mars (1992), Green Mars (1993) and Blue Mars (1996). Lastly, I would like to read his novel, 2312 (2012). It’s about a colony living in Terminator City on Mercury that suddenly gets attacked by a meteorite. Sadly, I’ll never have the time to accomplish that undertaking.
Tuesday, November 27, 2018
Thursday, November 15, 2018
THE VIKING THRONE
The author sent me an autographed copy of his novel to read and review:
What would you do if a giant sperm whale swallowed you? That’s just one of the obstacles JB Michaels’ protagonist, James Henihan, has to overcome in this swashbuckling novel. It’s JB’s first adult fantasy as he shifts away from numerous bestselling YA novels. It’s not an easy task. In any event, the path from YA to adult fantasy seemed a little cumbersome for the author. As I read the novel, more chapters seemed to be written in YA prose than chapters employing adult language. The killings were too fast without enough time for the reader to say to himself, "Way to go!" He needs to elongate the violence like Bernard Cornwell does, the king of death in battle. My two other piddling complaints are that the reader didn’t get any background on what happened during The Great Calamity (global warming?) or where the mages came from and how they made some humans into sirens. Did I enjoy this story? Yes, but with a glitch. I’m reviewing this novel essentially as an advanced YA novel with sporadic adult situations (if that makes any sense).
Earth is now a “blue planet of vast roiling seas.” Somehow mages turned some of the population into sirens, who now populate the oceans. The story opens with siren James Henihan (a little hungover) realizing that his daughter, Maggie, is missing after she warned him of someone wearing scuba gear swimming outside their home. Maggie gets captured as James and his wife, Imogen, give chase. Maggie and Imogen disappear. James gets captured and locked up in a underwater tank. Behind James were more tanks with captured sirens. With a communicating device on the tank, a man in the incarcerating vessel above them speaks, “I am Admiral Montgomery (Monty). You will be taking orders from me now...if you cooperate willingly, then rewards will be due...should you act the belligerent brute as you are now, punishments will be inflicted upon you.” Apparently, while James and the other sirens slept, scuba divers attached an electric shocking device to their necks. Monty shocked James with his remote to prove his point. What does the Monty want from his imprisoned sirens?
It soon becomes obvious...Monty wanted the captured sirens to fetch for him underwater treasures, “Dear sirens, you have been chosen for your unique skill sets and knowledge of the deep. You will swim to the submerged grounds of the Donington estate and salvage the physical monies stored below. It is my estimation that there is a vault of gold and silver bullion.” Monty had no thoughts of releasing the men after they secured the treasure...there are more valuables to be recovered from inundated cities. James takes up with three other sirens who were also caged and reluctantly diving to retrieve treasure for Monty: Jacob, William and Pierce, who along with James, belonged to the Siren Guard. This goes on for months on end. James is riddled with guilt, “What happened to Maggie and Imogen? What had I, James Henihan, done to lose my family? I’d failed to protect them. To see to it they were safe. I had failed. What good was I.”
During their many dives for treasure they will come up against banshees (“they float in wispy robes and scream until one goes deaf”), an extinct underwater dinosaur, giant whales and squids, et cetera. On page thirty three, James swims into a underwater cave and sees signs of an epic Viking battle. He finds a Viking boat. “The contents of the boat were evermore impressive. In the center of the boat was a throne. A throne with two spires and a raised headrest that shined in the beam of my torch. I carefully swam closer to the Viking throne to examine the shiny object. It was a green stone inlaid into the throne itself. The color was vibrant in the light, and the inside of the stone seemed to swirl as if the stone contained magical properties.” Okay, you had a thirty three page taste of JB's novel, now go out and buy your own copy.
The writings of JB Michaels (see my review of 12/09/2017 for his novel The Elixir) reminds me of another excellent YA author, Rick Riordan (see my review of 2/10/2013 for his novel The Lightning Thief). They both have a young protagonist in a series of novels. JB has Bud Hutchins and Rick has Percy Jackson. Now, would I like to see more of JB doing adult novels? Yes, the problems that I found in The Viking Throne are very fixable. They might not even be a problem for another reviewer. But I sensed the YA genre trying its best to squeeze into JB’s Viking novel. I highly recommend this rousing first novel of a new series.
RATING: 4 out of 5 stars
Comment: Are there authors who have written in more than one genre? Yes indeed! Quite a few actually:
J.K. Rowling, the children’s and Harry Potter legend also released her first adult novel, The Casual Vacancy in 2012 to mixed reviews.
Stephen King writes in many genres, for example: horror novels (It and Carrie), mysteries, (The Colorado Kid) and gothic fantasies (The Green Mile).
Neil Gaiman writes in many genres including poetry. Examples of his novels are children's (Chu’s Day), poetry (Blueberry Girl), and adult (The Ocean at the End of the Lane). And I almost forgot sci/fi (InterWorld).
The list also includes noted writers; such as, Philip Roth, Joyce Carol Oates, Margaret Atwood, and Anne Rice.
What would you do if a giant sperm whale swallowed you? That’s just one of the obstacles JB Michaels’ protagonist, James Henihan, has to overcome in this swashbuckling novel. It’s JB’s first adult fantasy as he shifts away from numerous bestselling YA novels. It’s not an easy task. In any event, the path from YA to adult fantasy seemed a little cumbersome for the author. As I read the novel, more chapters seemed to be written in YA prose than chapters employing adult language. The killings were too fast without enough time for the reader to say to himself, "Way to go!" He needs to elongate the violence like Bernard Cornwell does, the king of death in battle. My two other piddling complaints are that the reader didn’t get any background on what happened during The Great Calamity (global warming?) or where the mages came from and how they made some humans into sirens. Did I enjoy this story? Yes, but with a glitch. I’m reviewing this novel essentially as an advanced YA novel with sporadic adult situations (if that makes any sense).
Earth is now a “blue planet of vast roiling seas.” Somehow mages turned some of the population into sirens, who now populate the oceans. The story opens with siren James Henihan (a little hungover) realizing that his daughter, Maggie, is missing after she warned him of someone wearing scuba gear swimming outside their home. Maggie gets captured as James and his wife, Imogen, give chase. Maggie and Imogen disappear. James gets captured and locked up in a underwater tank. Behind James were more tanks with captured sirens. With a communicating device on the tank, a man in the incarcerating vessel above them speaks, “I am Admiral Montgomery (Monty). You will be taking orders from me now...if you cooperate willingly, then rewards will be due...should you act the belligerent brute as you are now, punishments will be inflicted upon you.” Apparently, while James and the other sirens slept, scuba divers attached an electric shocking device to their necks. Monty shocked James with his remote to prove his point. What does the Monty want from his imprisoned sirens?
It soon becomes obvious...Monty wanted the captured sirens to fetch for him underwater treasures, “Dear sirens, you have been chosen for your unique skill sets and knowledge of the deep. You will swim to the submerged grounds of the Donington estate and salvage the physical monies stored below. It is my estimation that there is a vault of gold and silver bullion.” Monty had no thoughts of releasing the men after they secured the treasure...there are more valuables to be recovered from inundated cities. James takes up with three other sirens who were also caged and reluctantly diving to retrieve treasure for Monty: Jacob, William and Pierce, who along with James, belonged to the Siren Guard. This goes on for months on end. James is riddled with guilt, “What happened to Maggie and Imogen? What had I, James Henihan, done to lose my family? I’d failed to protect them. To see to it they were safe. I had failed. What good was I.”
During their many dives for treasure they will come up against banshees (“they float in wispy robes and scream until one goes deaf”), an extinct underwater dinosaur, giant whales and squids, et cetera. On page thirty three, James swims into a underwater cave and sees signs of an epic Viking battle. He finds a Viking boat. “The contents of the boat were evermore impressive. In the center of the boat was a throne. A throne with two spires and a raised headrest that shined in the beam of my torch. I carefully swam closer to the Viking throne to examine the shiny object. It was a green stone inlaid into the throne itself. The color was vibrant in the light, and the inside of the stone seemed to swirl as if the stone contained magical properties.” Okay, you had a thirty three page taste of JB's novel, now go out and buy your own copy.
The writings of JB Michaels (see my review of 12/09/2017 for his novel The Elixir) reminds me of another excellent YA author, Rick Riordan (see my review of 2/10/2013 for his novel The Lightning Thief). They both have a young protagonist in a series of novels. JB has Bud Hutchins and Rick has Percy Jackson. Now, would I like to see more of JB doing adult novels? Yes, the problems that I found in The Viking Throne are very fixable. They might not even be a problem for another reviewer. But I sensed the YA genre trying its best to squeeze into JB’s Viking novel. I highly recommend this rousing first novel of a new series.
RATING: 4 out of 5 stars
Comment: Are there authors who have written in more than one genre? Yes indeed! Quite a few actually:
J.K. Rowling, the children’s and Harry Potter legend also released her first adult novel, The Casual Vacancy in 2012 to mixed reviews.
Stephen King writes in many genres, for example: horror novels (It and Carrie), mysteries, (The Colorado Kid) and gothic fantasies (The Green Mile).
Neil Gaiman writes in many genres including poetry. Examples of his novels are children's (Chu’s Day), poetry (Blueberry Girl), and adult (The Ocean at the End of the Lane). And I almost forgot sci/fi (InterWorld).
The list also includes noted writers; such as, Philip Roth, Joyce Carol Oates, Margaret Atwood, and Anne Rice.
Friday, November 9, 2018
STAR RIDERS
The author sent me a copy of his novel to read and review:
Can any novel or film be busier than Rick A. Allen’s first novel? I doubt it. Okay, Star Wars books and films are busy, but they come up for some air now and then. In Allen’s novel, every page is loaded with action...sometimes a little corny but always moving forward. It’s a space opera’s space opera. It includes action on six of the eleven planets of The Nodal Community. What’s that? It’s a union of planets light years apart that try to help each other by sharing the latest technology. By the way, Earth is part of the Nodal Community but doesn’t know it yet. If you liked all the unusual aliens that roamed around in Star Wars movies, you will love the warped vision of aliens in Allen’s novel. In Star Wars we meet Pau’ans, Clawdites, Tusken Raiders, and the Gamorreans to name a few (look them up, they’ve all been in the Star Wars films). And my personal favorite (Jabba the Hutt’s pet) is the Kowakian monkey-lizard. This being said, the author did an amazing job keeping the main characters down to about six humans and four aliens. Even with all the characters involved, I had no problem remembering who was who.
In Star Riders, the reader meets in order of appearance: a Shren, a very tall alien with long white hair covering his body; the Emdannen species, short Meerkat-like looking aliens who “make their homes in the ground and build downward not upwards”; the Throngans, “They’re black-furred, they run on four legs, walk on two, and have a pair of short arms between the legs.” Haha, I mentioned that the author has a warped mind! And lastly, we have a Pallun, a very large bison-like alien with huge lips and one nostril. You are probably asking yourself...how do aliens from all those planets communicate? They have tharsh plants! If you are having a mixed alien meeting...then make sure there are tharsh plants in the room. The tharsh plant enables everyone to understand each other. Good stuff. The little co-hero, Moovik (a emdannen), reminded me of Rocket, the raccoon-like bounty hunter in the 2014 and 2017 Guardians of the Galaxy movies.
The novel was not without its flaws. Besides some corny lines, the prose was kinda fledging (normal for a first-time author) and the story, while very busy, was too easy to predict. The novel missed an opportunity to garner an attention-grabbing effect because things happened too fast. The author needs to calm down...slow the pace. The story is about one man’s attempt to find his brother, who is presumed dead during a multi-planet civil war over technology. However, let’s talk about the Star Rider, itself. What is the Star Rider? It’s the real star of the novel. It’s a strange purple and yellow ship that lays black disks in a chain around suns. It somehow gets energy from those spots (no one knows for sure because we never meet the aliens piloting the ship). Nothing seems to hurt the ships (there are at least two), nor can you make it change its routine. It’s like the ships are building a galactic highway to connect the eleven planets of the Nodal Community. I’m sure we will find out in the ensuing novels. Good first novel...just curb your enthusiasm (sound familiar?)
RATING: 4 out of 5 stars
Comment: Barnes & Noble asks, “What makes a science fiction story a space opera? Well, it needs to take place in space obviously, though not necessarily all of the time. Hanging out solely in an arcology on a climate-blasted Earth, or even in a domed city on Mars, doesn’t cut it. Actually, the more space the better; though there are certainly exceptions, a good space opera should span a galaxy or two, or at least a solar system. And an opera has to be grand and dramatic-battling empires, invading aliens, mysterious ancient technology, and grand, sweeping story arcs.” I agree with one exception: if any part of the story is spent on Earth, it’s no longer a space opera. It’s okay to mention Earth...just don’t spend any of time there.
I’ve been reviewing quite a few sci/fi novels lately. So, you already know my favorites, but one that I’ve never brought up is John Scalzi’s 2005 novel, Old Man’s War (see my review of 11/21/2010), which spawned five other related novels. A B&N editorial review says, “When John Perry turns 75, he does two things: he visits his wife’s grave and he joins the Colonial Defense Force. The CDF’s enlistment contract is incredibly tempting. When a person reaches retirement age, all they have to do is give up all their worldly possessions and promise never to return to Earth. In return, elderly recruits get to take advantage of the Colonial Union’s secretive therapy, which somehow reverses aging. In essence, the soldier’s exchange a few years of military service for a new life on one of the Union’s many colony planets. Without the faintest clue of what he’s really getting himself into, Perry realizes quickly that he has just signed up for ‘an all-expenses-paid tour of hell.’ With a brand new, tank-grown, super-modified body--green skin, cat’s eyes, built-in-cranial computers, etc.-- Perry and his ultra-human cohorts travel from planet to planet leaving dead aliens in their wake.”
John Scalzi won the 2013 Hugo Award for Best Novel with Redshirts (see my review of 02/03/2016).
Can any novel or film be busier than Rick A. Allen’s first novel? I doubt it. Okay, Star Wars books and films are busy, but they come up for some air now and then. In Allen’s novel, every page is loaded with action...sometimes a little corny but always moving forward. It’s a space opera’s space opera. It includes action on six of the eleven planets of The Nodal Community. What’s that? It’s a union of planets light years apart that try to help each other by sharing the latest technology. By the way, Earth is part of the Nodal Community but doesn’t know it yet. If you liked all the unusual aliens that roamed around in Star Wars movies, you will love the warped vision of aliens in Allen’s novel. In Star Wars we meet Pau’ans, Clawdites, Tusken Raiders, and the Gamorreans to name a few (look them up, they’ve all been in the Star Wars films). And my personal favorite (Jabba the Hutt’s pet) is the Kowakian monkey-lizard. This being said, the author did an amazing job keeping the main characters down to about six humans and four aliens. Even with all the characters involved, I had no problem remembering who was who.
In Star Riders, the reader meets in order of appearance: a Shren, a very tall alien with long white hair covering his body; the Emdannen species, short Meerkat-like looking aliens who “make their homes in the ground and build downward not upwards”; the Throngans, “They’re black-furred, they run on four legs, walk on two, and have a pair of short arms between the legs.” Haha, I mentioned that the author has a warped mind! And lastly, we have a Pallun, a very large bison-like alien with huge lips and one nostril. You are probably asking yourself...how do aliens from all those planets communicate? They have tharsh plants! If you are having a mixed alien meeting...then make sure there are tharsh plants in the room. The tharsh plant enables everyone to understand each other. Good stuff. The little co-hero, Moovik (a emdannen), reminded me of Rocket, the raccoon-like bounty hunter in the 2014 and 2017 Guardians of the Galaxy movies.
The novel was not without its flaws. Besides some corny lines, the prose was kinda fledging (normal for a first-time author) and the story, while very busy, was too easy to predict. The novel missed an opportunity to garner an attention-grabbing effect because things happened too fast. The author needs to calm down...slow the pace. The story is about one man’s attempt to find his brother, who is presumed dead during a multi-planet civil war over technology. However, let’s talk about the Star Rider, itself. What is the Star Rider? It’s the real star of the novel. It’s a strange purple and yellow ship that lays black disks in a chain around suns. It somehow gets energy from those spots (no one knows for sure because we never meet the aliens piloting the ship). Nothing seems to hurt the ships (there are at least two), nor can you make it change its routine. It’s like the ships are building a galactic highway to connect the eleven planets of the Nodal Community. I’m sure we will find out in the ensuing novels. Good first novel...just curb your enthusiasm (sound familiar?)
RATING: 4 out of 5 stars
Comment: Barnes & Noble asks, “What makes a science fiction story a space opera? Well, it needs to take place in space obviously, though not necessarily all of the time. Hanging out solely in an arcology on a climate-blasted Earth, or even in a domed city on Mars, doesn’t cut it. Actually, the more space the better; though there are certainly exceptions, a good space opera should span a galaxy or two, or at least a solar system. And an opera has to be grand and dramatic-battling empires, invading aliens, mysterious ancient technology, and grand, sweeping story arcs.” I agree with one exception: if any part of the story is spent on Earth, it’s no longer a space opera. It’s okay to mention Earth...just don’t spend any of time there.
I’ve been reviewing quite a few sci/fi novels lately. So, you already know my favorites, but one that I’ve never brought up is John Scalzi’s 2005 novel, Old Man’s War (see my review of 11/21/2010), which spawned five other related novels. A B&N editorial review says, “When John Perry turns 75, he does two things: he visits his wife’s grave and he joins the Colonial Defense Force. The CDF’s enlistment contract is incredibly tempting. When a person reaches retirement age, all they have to do is give up all their worldly possessions and promise never to return to Earth. In return, elderly recruits get to take advantage of the Colonial Union’s secretive therapy, which somehow reverses aging. In essence, the soldier’s exchange a few years of military service for a new life on one of the Union’s many colony planets. Without the faintest clue of what he’s really getting himself into, Perry realizes quickly that he has just signed up for ‘an all-expenses-paid tour of hell.’ With a brand new, tank-grown, super-modified body--green skin, cat’s eyes, built-in-cranial computers, etc.-- Perry and his ultra-human cohorts travel from planet to planet leaving dead aliens in their wake.”
John Scalzi won the 2013 Hugo Award for Best Novel with Redshirts (see my review of 02/03/2016).
Subscribe to:
Posts (Atom)