ZEALOT

This book by Reza Aslan flitters around a lot, but is an unqualified eye-opener. It’s the gospel Jesus versus the historical Jesus. Who is right and who is wrong is up to each reader to decide. Mr. Aslan has certainly done plenty of research, but he has the undertone of a former Muslim about him. I say this only so the reader can take what Aslan says with a grain of salt. He is obviously schooled in both religions, but seems to prefer the historical Jesus as the true son of God. With the gospels written many years after Jesus’s death, does anybody really know the truth? The gospels of Matthew, Mark, Luke, and John were written well after Jesus’s death. The events of Jesus’s life are hazy at best since Mark and Luke (some say he was) were not eyewitnesses to Jesus’s life. The gospel of Matthew is by an anonymous author, and the gospel of John is authored by ‘the disciple whom Jesus loved’, but is not named. Aslan states that his research took two decades, and he supplies about sixty pages of notes at the end of the book. I guess one can’t ask for more. But for me, some of his revelations are truly stunning. Why was this Christ so different from all the other messiahs that traveled through Jerusalem during Jesus’s time preaching repentance and damnation? They were also convicted of sedition (rebellious acts against the Roman Empire) and crucified, or beheaded. Why were they not the true Christ? Especially, John the Baptist .

According to Aslan, Christ didn’t leave Nazareth till he was about thirty years old. On page 88, (to paraphrase Aslan) he says, “Before his encounter with John (the Baptist), Jesus was an unknown peasant and day laborer toiling away in Galilee.” If Jesus was the main man, why did he come to the Jordan River to be baptized by John? Yet the gospels try to make the reader feel that John the Baptist was inferior to Jesus. In fact, After John was seized and put to death by Roman Tetrarch (governor of the region) Antipas, only then did Jesus’s first disciples, Andrew and Philip, leave John the Baptist and follow Jesus on his quest to cleanse the souls of mankind. This is some strong information. Aslan also states that Jesus was born in Nazareth, and not Bethlehem. Jesus had brothers, most notably, James, who took over the leadership of the Catholic Church after Jesus’s death. Also stunning is that Jesus, because of his peasant status, could not read or write any language. This is not me talking. This book is very thought provoking and obviously highly controversial.

Another fact that is historically disputed is the disposition of Pontius Pilate, the fifth governor Rome, sent to oversee Judea. The gospels present Pilate as a weak-willed governor who didn’t want to kill Jesus until the Jews demanded that Jesus should be put to death. The Jews were not pleased when Jesus entered Jerusalem riding a donkey with a mob of people shouting, “Hosanna!” Aslan says in his book, “The message conveyed to the city’s inhabitants is unmistakable: the long awaited messiah-the true King of the Jews-has come to free Israel from its bondage.” Aslan says history shows Pontius Pilate to be a very violent man who hated and killed Jews at will. Wow, that’s not the Pilate I saw back in the 1970s, when I went to the marvelous play, Jesus Christ Superstar: A Rock Opera . Pilate with the help of the Jewish High Priest, Joseph Caiaphas, had no hesitation in sentencing Jesus to death.

One fact that is consistent both historically and gospel-wise is Jesus’s ability to heal. On page 105, Aslan says, “For while debates raged within the early church over who Jesus was-a rabbi? the messiah? God incarnate? -there was never any debate, either among his followers or his detractors, about his role as an exorcist and miracle worker.” Okay, both sides finally agree. This was a time when there were many magicians charging money to perform similar feats, but Jesus never imposed a fee. As Jesus approached Jerusalem in 30 c.e. (common era) “...it is not just Jesus’s miraculous actions that they fear; it is the simple yet incredibly dangerous message conveyed through them: the Kingdom of God is at hand.” On page 126, Aslan says, “No wonder, then, that at the end of his life, when he stood beaten and bruised before Pontius Pilate to answer the charges made against him, Jesus was asked but a single question…”Are you the King of the Jews?”

Was Jesus’s last words on the cross (gospel of Mark), “My God, my God, why have you forsaken me?” And did the resurrection really happen three days later? Who is James the Just? Did Jesus really say, "I say to you that you shall be called Peter, and upon this rock I shall build my church."  I’ve only touched on a few of the enlightening discoveries this reviewer learned from reading Aslan’s book about the historical Jesus. I have the feeling that Jesus was more of a man, than the Son of God. In fact, according to Aslan’s research, Jesus rebuffed the messianic titles given to him and preferred the title, “The Son of Man.” In my opinion, Aslan did a remarkable job putting this non-fiction work together. I felt somber when Jesus’s three year old ministry came to an end. Judas Iscariot, one of the twelve disciples (also called apostles), let the Jewish hierarchy know where Jesus was hiding after The Last Supper. Aslan states, “He is praying when they come for him…” This is a sad and provocative book. I highly recommend this book by Reza Aslan.
 
The Supper at Emmaus by Italian master Caravaggio 1601...Resurrected Jesus reveals himself to two of his disciples. Picture courtesy of Wikipedia.
 

RATING: 5 out of 5 stars

Comment: There are a lot of books about Jesus Christ. One book that defends the Bible is a book by Ben Witherington III with a very long title: What Have They Done with Jesus?: Beyond Strange Theories and Bad History--Why We Can Trust the Bible . Goodreads.com says, “Strange theories about Jesus seem to ooze from our culture with increasing regularity. Ben Witherington, one of the top Jesus scholars, will have none of it. There were no secret Gnostic teachings in the first century. With leading scholars and popular purveyors of bad history in his crosshairs, Witherington reveals what we can—and cannot—claim to know about the real Jesus. The Bible, not outside sources, is still the most trustworthy historical record we have today.

Utilizing a fresh "personality profile" approach, Witherington highlights core Christian claims by investigating the major figures in Jesus’s inner circle of followers: Mary the mother of Jesus, Mary Magdalene, Thomas, Peter, James the brother of Jesus, Paul, and the mysterious "beloved disciple." In each chapter Witherington satisfies our curiosities and answers the full range of questions about these key figures and what each of them can teach us about the historical Jesus. What Have They Done with Jesus? is a vigorous defense of traditional Christianity that offers a compelling portrait of Jesus’s core message according to those who knew him best.”

And there are some strange ones, such as, The Lotus and the Cross by Ravi Zacharias. Goodreads.com says, “Have you ever wondered what Jesus would say to Mohammed? Or Buddha? Or Oscar Wilde? Maybe you have a friend who practices another religion or admires a more contemporary figure. Drop in on a conversation between Jesus and some well-known individuals whose search for the meaning of life took them in many directions -- and influenced millions. Popular scholar Ravi Zacharias sets a captivating scene in this first in the intriguing Conversations with Jesus books. Through dialogue between Christ and Gautama Buddha that reveals Jesus' warm, impassioned concern for all people, God's true nature is explored. It's a well-priced, hardcover volume readers will want to own, and also share with others.”

Even the press throws their hat in the ring with Lee Strobel’s, The Case for Christ: A Journalist's Personal Investigation of the Evidence for Jesus . Goodreads.com says, “Using the dramatic scenario of an investigative journalist pursuing his story and leads, Lee Strobel uses his experience as a reporter for the Chicago Tribune to interview experts about the evidence for Christ from the fields of science, philosophy, and history.”

Finally, there is the old classic, Ben Hur by Lew Wallace. Goodreads.com says, “Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. His old friend Messala arrives as commanding officer of the Roman legions. They become bitter enemies. Because of an unfortunate accident, Ben-Hur is sent to slave in the mines while his family is sent to leprosy caves. As Messala is dying from being crushed in a chariot race, he reveals where Ben-Hur's family is. On the road to find them, Ben-Hur meets the Christ as he is on the road to Golgotha to be crucified. That day changes Ben-Hur's life forever, for that is the day he becomes a believer.” Picture courtesy Wikipedia. 

THE ONE-EYED MAN

This novel should be titled, The Sleepy-Eyed Man, because that’s what happened to me every time I sat down to read this semi-monotonous work. I liken this novel to watching grass grow. How exciting can this statement be?(to paraphrase): “He packed his monitors back into the equipment case and headed back to Passova (for the seemingly hundredth time).” How intoxicating can a doctor of ecology be looking for possible environmental problems on a planet 73 light years away from his home planet? Yes, there are interesting skytubes in the sky, but with only a few pages left we still don’t know what they are. We do know that our hero, Dr. Paulo Verano, likes a pale lager with dinner. Whoopsy daisy! Even Dan Brown’s Robert Langdon, as a symbolist, has a more stimulating endeavor. When Dr. Verano visits the Outie communities of planet Stittara to check on the environmental conditions, the response he gets is, “You want to monitor the crops first?” Doesn’t that get your blood pulsing? Okay, maybe I’m a little too hard on this veteran author’s latest work. I know that he has written 56 sci-fi and fantasy novels. That’s why I am so disappointed. I expected this stand alone novel to be a near classic, instead 'da book stay cold' (Hawaiian pidgin). I’m trying to be nice.

The exciting part of the novel was thinking about the trip Paulo Verano, a Doctor of Ecology, made from his home planet of Bachman to the planet of Stittara.The novel starts off with Paulo Verano going through a nasty divorce on the planet Bachman. Since he lost most of his monies via the settlement, he jumps at the chance to go to a new planet and examine it’s ecological status. Considering Bachman gets it’s life doubling anagathics from Stittara, it’s in their best interest that everything is okay ecologically. Paulo wins the contract to check out  Stittara’s environmental balance and report his findings to Unity’s Systems Survey Service on the planet Bachman. This is the fun part, Paulo figures that a round trip to Stittara and one month on the job will take about three months, even though the planet is 73 light years away. Some fast spaceship, right? Well, remember Albert Einstein’s theory of relativity, E=MC2? The C being the speed of light. Although Paulo will only be gone three months on his round trip (if he stays there a month),146 years would pass by on Bachman by the time he got back. His monies would have recovered, his wife would be dead or very old and most likely she would have lost interest in Paulo. What a plan!

Once he gets to Stittara, the novel really drags. There are way too many characters and I found it hard to remember who they were and what they did. Then the reader meets the 400 or 500 year old, Ilsabet (she is the one on the book’s cover), who only talks in rhymes. Paulo must deal with countless Multis (corporations?) and staff. His investigations bring him to another boring group called the Outies. And does anybody really know what those skytubes are? Why is the sky a purple/gray, the grass a brownish/purple/gray? We never find out. And what distance does a ‘kay’ represent? It can’t be a mile, or a meter since the author uses those terms in the novel. What time measurement is a ‘stan’, a minute, an hour? Who knows since it’s never explained. Okay, I do get ‘duhlar’ as a substitute for a dollar. And do we have to say oneday, twoday, threeday, etcetera; in lieu of, Monday, Tuesday, Wednesday, etcetera. I’m not even going to get into the characters names, there are way too many with odd names and innuendos. There is actually a conclusion to this novel, since it’s a rare stand alone novel by L.E. Modesitt, Jr., who normally writes a series of books. If you want to know how Paulo’s investigation of Stittara ends, you will have to scuffle through your own copy.

Now, what did I like about this book, besides all the shuteye I got? Well, it was nice to read a book where the characters ate. Yea, they had breakfast, lunch and dinner. Paulo even exercised some mornings. No, they didn’t go to the bathroom, or have sexual contact. I also thought that Mr. Modesitt’s writing skills were superb, he just wrote a tediously dull novel. He had what could have been an interesting plot-line, but he left out all the gusto and gingerbread. Oh well.

RATING: 3 out of 5 stars

Comment: L.E. Modesitt, Jr. is a prolific writer of fantasy and sci-fi novels. His most prodigious series has to be the sixteen book (so far) series called The Saga of Recluse . Goodreads.com says the following about this series: “L.E. Modesitt, Jr.'s best-selling fantasy novels set in the magical world of Recluce are among the most popular in contemporary fantasy. Each novel tells an independent story that nevertheless reverberates through all the other Recluce novels to deepen and enrich the reading experience. As Publishers Weekly says, "Modesitt creates a complex world based on a plausible system of magic and peopled with engaging and realistic characters." Rich in detail, the Recluce books are a feast of wondrous marvels.”

The first novel in the series is The Magic of Recluce . Goodreads.com says the following about the initial novel in the series: “Young Lerris is dissatisfied with his life and trade, and yearns to find a place in the world better suited to his skills and temperament. But in Recluce a change in circumstances means taking one of two options: permanent exile from Recluce or the dangergeld, a complex, rule-laden wanderjahr in the lands beyond Recluce, with the aim of learning how the world works and what his place in it might be. Many do not survive. Lerris chooses dangergeld. When Lerris is sent into intensive training for his quest, it soon becomes clear that he has a natural talent for magic. And he will need magic in the lands beyond, where the power of the Chaos Wizards reigns unchecked. Though it goes against all of his instincts, Lerris must learn to use his powers in an orderly way before his wanderjahr, or fall prey to Chaos.”

The latest novel in the series is Arms-Commander (#16). Goodreads.com Says the following about this novel: “Arms-Commander takes place ten years after the end of The Chaos Balance and tells the story of the legendary Saryn. The keep of Westwind, in the cold mountainous heights called the Roof of the World, is facing attack by the adjoining land of Gallos. Arthanos, son and heir to the ailing Prefect of Gallos, wishes to destroy Westwind because the idea of a land where women rule is total anathema to him.

Saryn, Arms-Commander of Westwind, is dispatched to a neighboring land, Lornth, to seek support against the Gallosians. In the background, the trading council of Suthya is secretly and informally allied with Gallos against Westwind and begins to bribe lord-holders in Lornth to foment rebellion and civil war. They hope to create such turmoil in Lornth that the weakened land will fall to Suthya. But Zeldyan, regent of Lornth, has problems in her family. To secure Zeldyan’s aid, Saryn must pledge her personal support—and any Westwind guard forces she can raise—to the defense of Zeldyan and her son. The fate of four lands, including Westwind, rests on Saryn’s actions.”

L.E. Modesitt has many famous quotes, including this one from The Parafaith War : “The only absolute truth is change, and death is the only way to stop change. Life is a series of judgments on changing situations, and no ideal, no belief fits every solution. Yet humans need to believe in something beyond themselves. Perhaps all intelligences do. If we do not act on higher motivations, then we can justify any action, no matter how horrible, as necessary for our survival. We are endlessly caught between the need for high moral absolutes—which will fail enough that any absolute can be demonstrated as false—and our tendency for individual judgments to degenerate into self-gratifying and unethical narcissism. Trying to force absolutes on others results in death and destruction, yet failing to act beyond one's self also leads to death and destruction, generally a lot sooner.”  

And finally a quote so true: “If you do good because you expect to be rewarded, it is greed.”

                          

                 

DIVERGENT

Hunky-dory, Veronica Roth, your book is a bestseller and soon to be a major motion picture (March-2014)... not bad. However I’m getting a little tired of YA dystopian novels. For this reviewer, the novel was adequate but unremarkable. After reading the 487 pages and all the extras, I don’t have the urge to read the rest of the trilogy. I’m sure that the remaining novels will answer some questions that I have about the story, such as: Why did this society start in the first place and are there similar communities beyond Chicago?  But you know what? I don’t have the hankering to read another 1,000 pages to find out. How many books like The Hunger Games (Suzanne Collins), Wool (Hugh Howey), or Delirium (Lauren Oliver) can someone read before they look for a utopian novel instead. I think Veronica did the right thing by keeping the main characters (Tris, Four, Al, Will, Christina, Eric, Caleb and Peter) to an acceptable Cormac McCarthy character level, but why didn't I feel empathy for any of them? That responsibility rest squarely on the shoulders of the author. I like to root for the main characters, but I didn't get that warm and fuzzy feeling for any one of them.

The premise for the book is that Chicago is fenced in from the outer world and the citizens are divided into five social groups: Abnegation (the selfless), Candor (the honest), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). The year this story takes place is unknown. The community is governed by the Abnegation, since they reject individual goals. However, there seems to be opposition from the Dauntless and Erudite factions brewing. Once a person reaches sixteen years old, they must be tested to find out what group they will join. Our heroine, Beatrice, is a member of the Abnegation faction but chooses the Dauntless at the ceremony, even though she tested positive for Abnegation, Erudite, and Dauntless. She is a Divergent. This is a problem, since divergents are considered rebels. This must be kept a secret. Her brother, Caleb, chooses the Erudite. Beatrice, now known as Tris, finds the initiations at Dauntless arduous. There are fist fights, knife throwing, and frightening mental simulations (they make a person face their fears). Her trainer is Four (Tobias), and her leader is Eric, who is in cahoots with Jeanine, the leader of the Erudite. What are the two leaders scheming? Since Tris and Four are divergents, (none of the leaders know this) they can manipulate the mind blowing simulations to their benefit. What happens during and after the initiations are the crux of the novel. This is where I thought the novel would get exciting, but in my opinion it became somewhat predictable and humdrum. But knowing Hollywood, I’m sure the opposite will occur. This might be one of those rare instances when the movie is better than the book.

The dystopian YA novels are on a good run, and I don’t see that pattern changing in the near future. I prefer the classic human misery novels, such as, H.G. Wells’ The Time Machine (1895), or George Orwell’s Animal Farm (1945). In all fairness to what I said about Veronica Roth’s lack of conveying empathy and caring to the characters, she did a good job with hate. This reviewer did work up a good hate for Tris’s adversaries, Peter, Molly and Drew. All in all, I do recommend that you read this novel in order to keep in touch with the young adult (YA) market.

RATING: 3.5 out of 5 stars.

Comment: As I hinted previously, dystopian novels have been written for a long time. Believe it, or not, the first novel of this ilk was Jonathan Swift’s Gulliver's Travels (1726). Lets talk about three of my favorites:

Brave New World (1932) by Aldous Huxley - The novel takes place in the year 632AF(After Ford, yes Henry Ford). Most of society is unified under the World State. Children are created and reared in hatcheries in a five caste system. The following is a excerpt of the novel, courtesy of Sparknotes, “The novel opens in the Central London Hatching and Conditioning Centre, where the Director of the Hatchery and one of his assistants, Henry Foster, are giving a tour to a group of boys. The boys learn about the Bokanovsky and Podsnap Processes that allow the Hatchery to produce thousands of nearly identical human embryos. During the gestation period the embryos travel in bottles along a conveyor belt through a factory like building, and are conditioned to belong to one of five castes: Alpha, Beta, Gamma, Delta, or Epsilon. The Alpha embryos are destined to become the leaders and thinkers of the World State. Each of the succeeding castes is conditioned to be slightly less physically and intellectually impressive. The Epsilons, stunted and stupefied by oxygen deprivation and chemical treatments, are destined to perform menial labor. Lenina Crowne, an employee at the factory, describes to the boys how she vaccinates embryos destined for tropical climates.”

Nineteen Eighty-Four (1949) by George Orwell - Great Britain is now the Oceanian Province of Airstrip One controlled by Big Brother. Welcome to the world of constant war, mind control, and continual government surveillance. The following is a excerpt of the novel, courtesy of Sparknotes, “Winston Smith is a low-ranking member of the ruling Party in London, in the nation of Oceania. Everywhere Winston goes, even his own home, the Party watches him through telescreens; everywhere he looks he sees the face of the Party’s seemingly omniscient leader, a figure known only as Big Brother. The Party controls everything in Oceania, even the people’s history and language. Currently, the Party is forcing the implementation of an invented language called Newspeak, which attempts to prevent political rebellion by eliminating all words related to it. Even thinking rebellious thoughts is illegal. Such thoughtcrime is, in fact, the worst of all crimes.”

Atlas Shrugged (1957) by Ayn Rand - This is one of my all time favorite novels. John Galt leads the U.S.A.’s wealthiest citizens in a revolt against the government’s high taxes, regulations, and interference of big business by withdrawing the important business men to an unknown location. The title of the novel asks, what would happen if Atlas decided not to hold up the world on his shoulders, but in Greek Mythology, Atlas is holding up the sky. The following is a excerpt of the novel, courtesy of Sparknotes, “In an environment of worsening economic conditions, Dagny Taggart, vice president in charge of operations, works to repair Taggart Transcontinental’s crumbling Rio Norte Line to service Colorado, the last booming industrial area in the country. Her efforts are hampered by the fact that many of the country’s most talented entrepreneurs are retiring and disappearing. The railroad’s crisis worsens when the Mexican government nationalizes Taggart’s San Sebastian Line. The line had been built to service Francisco d’Anconia’s copper mills, but the mills turn out to be worthless. Francisco had been a successful industrialist, and Dagny’s lover, but has become a worthless playboy. To solve the railroad’s financial problems, Dagny’s brother Jim uses political influence to pass legislation that destroys Taggart’s only competition in Colorado. Dagny must fix the Rio Norte Line immediately and plans to use Rearden Metal, a new alloy created by Hank Rearden. When confronted about the San Sebastian mines, Francisco tells Dagny he is deliberately destroying d’Anconia Copper. Later he appears at Rearden’s anniversary party and, meeting him for the first time, urges Rearden to reject the freeloaders who live off of him."

One of Ayn’s famous one liners is : “The question isn't who is going to let me; it's who is going to stop me.”
           

THE CROSSING

The gloom master is darker than normal in this second book of the Border Trilogy. Published in 1994, Cormac McCarthy once again takes the reader across the border into Mexico through the eyes of a young man. Has anybody ever seen Cormac smile? In a rare interview with The New York Times, Cormac stated that he is not an aficionado of authors who don’t “deal with issues of life and death.” This novel deals with those issues. He is also the master of simple declarative sentences without quotation marks. He told Oprah Winfrey, on her show in 2007, that he believes there is no reason to “blot the page up with weird little marks.” Yet, this rebel of proper grammar is consider one of the great writers of our times. Since I seem to be drawn to his novels, I can’t argue that point but many literary critics do. And what does William Strunk, Jr. and E.B. White, writers of The Elements of Style, think about his prose? Not too much, I'm sure.

The story starts innocently enough with sixteen year old Billy Parham trying to trap a wolf that traveled from Mexico on to Parham’s ranch in New Mexico. The she-wolf has been destroying the livestock. Billy and his father are unsuccessful trapping the wolf until Billy gets the idea to bury the trap under a old campfire. Bingo! The wolf gets caught; but since Billy can’t pull the trigger, he decides to take the wolf back to Mexico. Billy almost completes the mission up till the time a group of Mexicans take the wolf away from Billy. The Mexicans put the wolf in a pit at a town fair. While chained to a post, the wolf is forced to fight one dog after another. Billy tries fruitlessly to save the wolf with whom he has bonded. With no options available to him, Billy shoots the wolf dead. After burying the wolf, Billy heads back to New Mexico. Cheery story so far, right? During his trek home, he runs into a man at a run-down church that tells Billy the first of three stories told by strangers in this novel. This part of the novel is unique, just as is the alternate Spanish and English lines throughout the tale. Although I don’t know Spanish, it was written so brilliantly that I knew what they were saying.

When Billy arrives at his parents ranch in New Mexico, he finds that his home is deserted. He rides into town to see the Sheriff. He is told that his parents were shot to death by two men and the six horses stolen. His brother, Boyd, got away and is staying a neighbor’s house. Billy finds Boyd, steals money, a shotgun, ammo, and food from the family. The game plan is to head back to Mexico and find the horses. All this happens early in this 426 page novel, so I’m not giving away the story. The novel explodes once the boys cross into Mexico. They will encounter many difficulties, meet a mysterious young girl, meet a strange character named Quijada on two occasions. Oh, the troubles are many. You will read the second and third story told by strangers. The second story is about a rebel who gets his eyes sucked out after being captured by the federals, and the third story is about a gypsy and two airplanes. This novel is quite a trip.

An example of Cormac’s prose are the following lines pertaining to Billy Parham: “It had ceased raining in the night and he walked out on the road and called for the dog. He called and called. Standing in that inexplicable darkness. Where there was no sound anywhere save only the wind. After a while he sat in the road. He took off his hat and placed it on the tarmac before him and he bowed his head and held his face in his hands and wept. He sat there for a long time and after a while the east did gray and after a while the right and god made sun did rise, once again, for all and without distinction.” Notice all the “ands”? This man of ‘no rules’ prose can get his point across to the reader in his own remarkable way. I highly recommend this novel.

RATING: 5 out of 5 stars

Comment: Three of Cormac McCarthy’s novels have been made into movies: No Country for Old Men , The Road , and All the Pretty Horses . I’m sure there will be many more.

The first novel that I read by Cormac was The Road, which I hated. Somehow, I’ve read three of his novels since, and have become a fan. Another example of Cormac’s prose that displays his writing skill is the following paragraph about evil in The Crossing: “The wicked know that if the ill they do be of sufficient horror that men will not speak against it. That men have just enough stomach for small evils and only these will they oppose. He said that true evil has power to sober the small doer against his own deeds and in the contemplation of that evil he may even find the path of righteousness which has been foreign to his feet and may have no power but to go upon it. Even this man may be appalled at what is revealed to him and seek some order to stand against it. Yet in all of this there are two things which perhaps he will not know. He will not know that while the order which the righteous seek is never righteousness itself but is only order, the disorder of evil is in fact the thing itself. Nor will he know that while the righteous are hampered at every turn by their ignorance of evil to the evil all is plain, light and dark alike. This man of which we speak will seek to impose order and lineage upon things which rightly have none. He will call upon the world itself to testify as to the truth of what are in fact but his desires. In his final incarnation he may seek to indemnify his words with blood for by now he will have discovered that words pale and lose their savor while pain is always new.” 
  
Another great line is when the she-wolf’s mate gets caught in a trap in Mexico: “She carried a scabbed over wound on her hip where her mate had bitten her two weeks before somewhere in the mountains of Sonora. He’d bitten her because she would not leave him. Standing with one forefoot in the jaws of a steel trap and snarling at her to drive her off where she lay just beyond the reach of the chain. She’d flattened her ears and whined and she would not leave. In the morning they came on horses. She watched from a slope a hundred yards away as he stood up to meet them.” Wow, this man can write.   

I, The Jury

Mickey Spillane’s Mike Hammer transcends toughness in his 1947 debut novel that sets the tone for this vigilante Private Investigator. Hammer’s attitude towards criminals is defined on page sixteen when he says, “They crack down on society and I crack down on them. I shoot them like the mad dogs they are and society drags me to court to explain the whys and wherefores of the extermination.” Is he tough are what? Clint Eastwood’s movie character, Dirty Harry , is close, but no cigar. Sam Spade in Dashiell Hammett’s The Maltese Falcon (1930) is strong, but fair. Philip Marlowe in Raymond Chandler’s The Big Sleep (1939) is resilient, but not a wrongdoer. Basically, Hammer displays a vicious rage against any violent crime. This 190 pound P.I. loves a brutal, vomit inducing stomach punch as much as he loves his sexy secretary, Velda. Although Hammer chooses to take the law into his own hands, he does respect the police, especially his best friend, Captain Pat Chambers of the NYPD Homicide Department. Hammer is very patriotic and an anti-communist. Okay, now you know what makes Mike Hammer tick.

In the opening chapter, Hammer finds out that his World War II Army buddy, Jack Williams, has been killed with a shot to the gut in his apartment. Williams saved Hammer’s life in the war by sacrificing his arm in a fight against a Japanese soldier in the Pacific Ocean Theatre. Hammer swears that the killer will die the same way Jack Williams did. The suspects were all at Jack’s apartment for a party on the night of the murder. Someone came back after the party and shot Jack to death. Why? The murder suspects include Hal Kines (supposedly a medical student), George Kalecki (a ex-bootlegger), the twins, Mary and Esther Bellemy (Mary being a nymphomaniac), Charlotte Manning (a beautiful psychiatrist), and Myrna Devlin (Jack’s fiance). In the ensuing chapters, some of these people will be killed and one is the killer. Now I was fortuitous, because I figured out who the killer was, but I chalk it up to beginners luck. The text and terms was very reflective of the times; such as, the automat (the coin operated eatery), a divan (a couch), a wench (a girl), a fin ( a five dollar bill), dames (ladies), and of course everybody is smoking cigars and cigarettes. This was special reminiscing of the times, but not the racism of the period. The terms “darky” and “colored” are not endearing words. On page 62, Big Sam, a bartender says to Hammer, “Howday, Mistah Hammah. Glad to see yuh. Long time since yuh done been in dis part of town.” Did Spillane have to use that lingo? Unfortunately, it was common for those times. 

The 1920s-1950s produced many detective novels, featuring (other than the above mentioned), Lew Archer in Ross Macdonald’s The Moving Target (1949), Hercule Poirot in Agatha Christie’s The Mysterious Affair at Styles (1920), and Nero Wolfe in Rex Stout’s Fer-de-Lance (1934). But none of these P.I’s had Mike Hammer’s unforgiving attitude. It’s best displayed on page 73, when talking to Charlotte Manning, he says, “I got an obsession though.” She says, “You have? I can’t imagine what it is.” Hammer says, “I want a killer. I want to shoot a killer.” There you go, that’s Mike Hammer. This novel was recollective of the times, even though some of the text was chauvinistic. I enjoyed this novel and recommend it to any reader who wants to be a student of the different genres and times in American literature.

RATING: 5 out of 5 stars

Comment: Mickey Spillane sold over 225 million copies of his novels, and although his novels were a world away from Ayn Rand’s thoughts (Atlas Shrugged ), they were great fans of each other. Go figure!

Mickey Spillane, as Mike Hammer, courtesy of www.tumblr.com.

Critics were not always nice to Mickey Spillane. According to wikipedia: “ When literary critics had a negative reaction to Spillane's writing, citing the high content of sex and violence, Spillane answered with a few terse comments: "Those big-shot writers could never dig the fact that there are more salted peanuts consumed than caviar... If the public likes you, you're good." Russian-American author Ayn Rand publicly praised Spillane's work at a time when critics were almost uniformly hostile. She considered him an underrated if uneven stylist and found congenial the black-and-white morality of the Hammer stories. She later publicly repudiated what she regarded as the amorality of Spillane's Tiger Mann stories. German painter Markus Lupertz claimed that Spillane's writing influenced his own work, saying that Spillane ranks as one of the major poets of the 20th century. American comic book writer Frank Miller has mentioned Spillane as an influence for his own hard boiled style.” Avant-Garde musician John Zorn composed an album influenced by Spillane’s writing titled 'Spillane’ consisting of three file-card pieces, as well as a work for voice, string quartet and turntables.”

The Winter of our Discontent

The Nobel Prize winning novel (1962) examines this question: Can one take a respite from good morals, do things totally out of character, and then switch back to good? That is the dilemma our protagonist, Ethan Allen Hawley, faces as he struggles to regain past family wealth and prominence. Published in 1961, this was the last novel that John Steinbeck finished. As with most of his novels, he was initially criticized for ‘making a mountain out of a molehill.' Steinbeck stated that he wanted to expose “the moral degeneration of American culture." He was later exonerated when the details of Watergate and Richard Nixon proved his point. This is the writer that also wrote The Grapes of Wrath (1939), displaying capitalism in a negative way and Of Mice and Men (1937), emphasizing man’s inhumanity to one another. If you haven’t read a Steinbeck novel...start with this one.

The novel’s time period is from Easter to the Fourth of July (1960) in the fictional town of Baytown, NY. Steinbeck fashioned this town out of his own hometown of Sag Harbor, NY. We find ex-GI, Ethan Allen Hawley, working as a clerk in Marullo’s Fruit and Fancy Groceries. While Ethan was fighting overseas in World War II, his father lost all the family’s wealth via wild wartime investments. The language of the times is sometimes offensive, such as, Ethan referring to his boss as the guinea, wop, or dago. Two other families of prominence in the novel are heading in different directions. Mr. Baker is the town’s banker and future political power, while Danny Taylor (from a good family) is now the town drunk. Ethan’s wife, Mary (of many cutesy names), has been putting pressure on Ethan to improve the family’s position.

His children, Allen and Mary Ellen, have entered a ‘I love America’ essay contest and also champion for a better life. Mary’s friend, Margie Young- Hunt, has read her fortune cards and states that Ethan is going to be rich. Mr. Baker wants Ethan to start investing in the town, and Ethan’s friend Joey Morphy (a bank teller) informs Ethan how the perfect bank robbery could be done. Ethan learns that Marullo might have come to the USA without papers (thus the term WOP). Can he get the store for himself, if he ‘rats out’ Marullo? Should he follow Mr. Baker’s seemingly wrong and nefarious advice? Are the kids writing their essays on the up and up? Why is Mr. Baker bribing Danny Taylor with booze and what is that paper he wants Danny to sign? Does Margie have a crush on Ethan? Is Ethan contemplating a bank robbery?

Since this is a story of the decline in American morality, there are many flaws in the eight main characters. Ethan is not the only one with morality issues, but he is the only one with a guilty conscious. On page 201, Ethan thinks to himself, "Temporarily I traded a habit of conduct and attitude for comfort and dignity and a cushion of security.” He thinks he can change back to a good guy, since he killed people during the war and didn’t become a murderer when he was discharged. The only shortcoming I found with this novel was that too much was packed into the last 59 pages. If he could have added a hundred pages, or so, the reader would have time to savor the many twist and turns that come at you one after another. The title of this classic comes from William Shakespeare’s Richard III . On page 264, Ethan toasted his son by saying, "Now is the winter of our discontent made glorious summer by this son of York.” He will think different in a few pages. All in all, this is a marvelous story, so typical of a John Steinbeck novel.

RATING:  5 out of 5 stars

Comment: According to Wikipedia: In 2012 (50 years later), the Nobel Prize opened its archives and it was revealed that Steinbeck was a "compromise choice" among a shortlist consisting of Steinbeck, British authors Robert Graves and Lawrence Durrell, French dramatist Jean Anouilh and Danish author Karen Blixen. The declassified documents showed that he was chosen as the best of a bad lot, "There aren't any obvious candidates for the Nobel prize and the prize committee is in an unenviable situation," wrote committee member Henry Olsson. Although the committee believed Steinbeck's best work was behind him by 1962, committee member Anders Osterling believed the release of his new novel The Winter of our Discontent in 1961 showed that "after some signs of slowing down in recent years, [Steinbeck has] regained his position as a social truth-teller [and is an] authentic realist fully equal to his predecessors Sinclair Lewis and Ernest Hemingway." I find this interesting, but I’m sure there is a unique story behind every Nobel Prize award.

Steinbeck’s first success was Tortilla Flat (1935): A story of a group of Paisanos enjoying life and wine drinking after World War I. As usual he was criticized, this time for writing a novel about bums. Critic Arthur C. Pettit said “Tortilla Flat stands as the clearest example in American literature of the Mexican as a jolly savage.” Oh well, this reviewer is still a fan of Steinbeck’s 27 books.

INFERNO

Dan Brown should be named the comeback writer of the year after his mediocre novel, The Lost Symbol, crashed and burned in 2009. Though I enjoyed this novel, it did cross my mind that this Robert Langdon character should be put out to pasture. I’m growing weary and bored with this nonaggressive Indiana Jones look alike. It’s business as usual deciphering symbols with a pretty lady as his companion du jour. It’s one art history lesson after another and descriptive writing about famous cities and their churches. Okay, I get it. Again, I liked this book, but please…will somebody make him disappear so that Dan Brown can write another novel like Deception Point. The author is very talented but needs to move on. Even Clive Cussler moved away from Dirk Pitt long enough for the reader to catch their literary breath. Inferno is the type of novel that causes the reader to guesstimate when the next twist will occur, and the surprises will be especially frequent in the last hundred plus pages.

As the novel opens, we find our Harvard professor lying in a hospital bed in Florence, Italy with a gunshot wound to the head. He has no idea how he got there or why he is there. Welcome to the world of amnesia. Whoever tried to kill him is back and opens gunfire in his room. One doctor is shot, the other doctor, Sienna Brooks, escapes with our Mr. Langdon. As they arrive at the doctor’s apartment, it seems like the whole world is chasing him. Why? He keeps having these visions of Dante Alighieri’s hell (from Inferno, the first part of The Divine Comedy). There is a silver haired veiled woman by a river of blood shouting at him, “seek and ye shall find.“ He finds a tube in his jacket with the code saligia on it. Langdon knows that it’s a Latin mnemonic for the Seven Deadly Sins. It turns out to be a Faraday pointer, and Langdon shakes the tube and projects an image of Botticelli’s painting of the Map of Hell. He discovers more clues, but before he can study the new clues, an aggregate of police and agents dressed in black arrive. Langdon and Sienna are on the run again.

Meanwhile, the reader learns that eminent scientist, Bertrand Zobrist, has hired the nefarious group known as the Consortium to hide his identity and location from Elizabeth Sinskey, head of the World Health Organization (WHO). Zobrist had sought Sinskey’s support for his depopulation plan. Zobrist feels the the world’s population must be thinned-out in order for it to avoid extinction. Obviously, the head of WHO doesn’t agree. The clues left by Zobrist indicate that he is getting ready to unleash a new plague on mankind. Zobrist has left a film in the hands of the “Provost” of the Consortium to be released to the world the next day. In the film, there is a plaque in the water that says, “In this place, on this date, the world was changed forever.” What has he done? Can Langdon decipher all the clues in time to find the hiding place of the virus? And who are all these groups chasing Langdon and Sienna? Are they friend, or foe?

I must stop before I give away the last three hundred pages. Our symbologist and art historian, Robert Langdon, faces mental puzzles comparable to the ones in Angels & Demons and The Da Vinci Code. This is an exciting novel, but I hope it’s the last for awhile. I want Dan Brown to write a number one bestseller without Robert Langdon. He can do it. Now, I do highly recommend this novel, but issue the following warning: This novel could be as contagious as Dr. Zobrist’s virus. By the way, I didn’t tell you what his plague is supposed to do. Oh well, another reason to buy your own copy.

 RATING: 4 out of 5 stars

Comment: I was intrigued by Botticelli’s famous painting of the Map of Hell:

Botticelli’s map of the Inferno

Botticelli’s ‘Abyss of Hell’ – a map of Dante’s inferno

                                       

One of a series of illustrations for the Divine Comedy produced by Botticelli.

Pen and brush on vellum (32 × 47 cm) — c. 1485

Dante Alighieri died 692 years ago and is still a literary legend. Sandro Botticelli painted Dante’s nine layered vision of hell about 164 years after Dante’s death. It’s hard to imagine that these two artist would be so influential after all these years. Talk about leaving your mark on earth. Also interesting is how they made a death mask of individuals - no photos in those days. Ha! Ha! On page 169, Langdon explains to Sienna at the Palazzo Vecchio (where Dante’s death mask is housed) how a death mask was made: “Shortly after death the deceased is laid out, and his face is coated with olive oil. Then a layer of wet plaster is caked onto the skin, covering everything-mouth, nose, eyelids-from the hairline down to the neck. Once hardened, the plaster is easily lifted off and used as a mold into which fresh plaster is poured. This plaster hardens into a perfectly detailed replica of the deceased’s face.”

Photo courtesy of www.mediasense.com/florence/dante.htm.

Death mask of Dante Alighieri

Death mask were normally made for the rich and famous. Some noteworthy death masks include: Ludwig Van Beethoven, Alfred Hitchcock, Abraham Lincoln, Thomas Paine, Woodrow Wilson, Oliver Cromwell, Richard Wagner, and inventor, Nicola Tesla. Wow! What a cast of characters.