THE LAST ENGLISH VILLAGE

The author sent me a copy of his novel to review:

I don’t know what having a fellowship at The British Operational Research Society has to do with this novel, but James Ignizio made me feel like I was watching (actually reading) a dry English sitcom. The story was mostly told during a 1997 English road trip by a semi-boring English chap and a dying American but had its roots in a 1943 incident during WWII. I think the author did a good job keeping me awake in a story that was somewhat boring by tweaking my interest in the charm of common English life (if that makes any sense). A lot of sentences were spent on the English breakfast consisting of tea, fried tomatoes, watery scrambled eggs, a ghastly orange juice and a black pudding that turned out to be “congealed pig’s blood wrapped in a length of pig’s intestine.” Also highlighted were the many village pubs serving warm pints of local beer. Doesn’t the food sound great? I didn’t think that two elderly men, one a English birdwatcher (on a secret quest to find the five American survivors of a mysterious WWII B-17 crash) and the other, a dying American, who was trying to find a church depicted in a painting for the sake of burying his wife’s ashes (while driving around the English countryside in a almost 50 year old car), would hold my attention...but it did. Good work by the author.

In 1943, a German bomber parachute a mine over a small village in England. The mine seems to be heading for the church, which was filled with local townspeople listening to Christmas songs from the church choir. Outside the church, two Rolls Royces are parked listening to the concert. Could one of the occupants of the cars be Winston Churchill? If so, what’s he doing there? Meanwhile, a boy (Tommy Hawke in bed with a fever) observes a American B-17 crash outside his yard. He sees five survivors walk from the plane. A tall man with his head bandaged seems to drop something, but can’t find it, and his mates hustle him away from the plane. The boy falls asleep and when he wakes the next day, he tells his mom what he saw. She says, “Tommy, you must have been delirious. An aeroplane certainly did crash into the pasture, as you can plainly see. But it was a German craft, and no one survived...Tommy could hardly believe his ears.” What was she hiding from him and why? When Tommy tried to raise an objection, his mom said, “Tommy, listen carefully to me. You did not see any men climb out of that wreckage. Everyone on board died in the crash.” I thought that this was an excellent opening chapter and set the hook for the rest of the novel.

The novel now switches to 1997. Vince Collesano arrives in England with his wife’s ashes in a urn. Her final request to him was to bury her ashes in the cemetery of a charming church that her mother painted many years ago. Vince is met at the airport by his deceased wife’s cousin, Albert “Bertie” Ambrose, an eccentric semi-recluse birdwatcher. Vince never liked Bertie, but he needs his help in finding the church in the painting. Vince tells Bertie, “...just moments before she passed away she pointed to the painting. Her last words to me were that I bury her there. I only wish she would have been able to tell me just where in the whole of England that little church might be located.” Bertie said, “Don’t you worry, Vince, we’ll find it.” On page 29, the two gentleman head off in Bertie’s 1949 Morris Minor in quest of finding the church in the painting. Is that really Bertie’s quest? I know this novel seems boring, yet the author, James Ignizio, is able to combine the 1943 WWII bomber crash and the 1997 quest to find a church (in a painting) into a rather pleasing tale. Kudos to the author of ten books and The Last English Village, his first novel. I highly recommend this British sitcom clone.

RATING: 4 out of 5 stars

Comment: My favorite British sitcom was a twelve episode comedy in the late 1970s called Fawlty Towers starring John Cleese as Basil and Connie Booth as Basil’s wife, Sybil. They ran a seaside hotel in the fictional town of Torquay. The comical episodes were accompanied by hotel helpers, Polly (the chambermaid) and Manuel (the Spanish waiter). They were sooo funny!

The only British remake sitcom I watched was The Office. Before Steve Carell played Michael Scott, the general manager of a paper company, Ricky Gervais was playing David Brent in a similar role in England.

Of course, my favorite British comedy show was Monty Python’s Flying Circus (1969-1974) starring Terry Jones, John Cleese, Michael Palin, Graham Chapman, Eric Idle, and Terry Gilliam. The show was hilarious!

THE ORDER OF ST. MICHAEL

The author sent me an autographed copy of his novel to review:

J.B. Michaels, author of The Tannenbaum Tailors series, writes his first YA novel. He introduces the reader to Bud Hutchins, a combination teenage inventor and sleuth, who goes from Chicago to Salem, MA to farther cities in an attempt to recover his stolen tech. What is his tech? Bud has invented a teleport system that allows him disappear and reappear in different destinations, similar to Star Trek’s system, except Bud’s method for teleportation involves a wristband and destination markers. One assumes that this is the first adventure for the new boy wonder. This is not your usual mystery since it involves witches, zombies, a wolfman and much more. I thought the story was fast moving, but sometimes too rushed. Was the story interesting? Yes, but very predictable with very simplistic prose. Was it written that way on purpose? I think so since this is the author’s first stab at a YA novel. Since there were some mild swear words used in the text, I would say the author’s target age group is between twelve and eighteen.

The story opens with Bud, our protagonist, finding a “bloodied corpse” in a New England forest. The body is a male dressed in a gray robe and hood (a monk?) and has been drained of all his blood. Suddenly, Bud sees a hooded figure running from the scene of the murder...he pursues. He tackles the runaway and finds that it’s a female. She turns out to be teenaged Maeve (will she be Bud’s helper in future novels?). She says to Bud, “That was my uncle back there! I just called the cops. Who are you? There is no way the cops could have made it here this fast.” They hear police sirens in the background at the same time they are unexpectedly surrounded by six witches. Bud immediately teleports home, grabs a blue canister and teleports back to the forest. He pulls the pin to a smoke bomb, temporarily blinding the witches, while he and Maeve make a run for freedom. At this point, we meet Officer Hanks of the Salem police department. “Get your hands up! A deep, gravelly, male voice sounded from behind Bud.” Will Officer Hanks believe Bud? Will the witches return and attack the police station? The story is now off and running to the exciting conclusion.

I liked the fact that J.B Michaels wrote this novel utilizing only three main characters. Cormac McCarthy would be proud (the less main characters used, the better). My only real complaint (besides some rushed and short chapters) is the simplistic prose employed, since I feel the age group for this novel is betwixt twelve and eighteen...maybe the author targeted a lower age group. Anyway, I did enjoy this novel and recommend it to the older YA age groups.

RATING: 4 out of 5 stars

Comment: Because of Bud’s invention talent, this novel reminded me of the only YA novels that I read as a youngster. What series is that? It’s Victor Appleton’s early 1900s series starring Tom Swift. I remember Tom’s adventures in novels, such as, Tom Swift and his Motor-Cycle, Tom Swift and his Airship, and Tom Swift and his motorboat. I wish I still had those original novels...they must be worth a small fortune. Many literary pundits say that Tom Swift was portrayed as a genius and modeled after inventors Henry Ford, Thomas Edison and Glenn Curtiss, the aviation pioneer (see the Curtiss Jenny Biplane stamp of 1918).  

Jesus and Magdalene

The author sent me a copy of his novel to review:

I’m not sure what Joao Cerqueira was satirizing...religion, environmentalists, other bleeding-heart liberals, or all of the above. Does he believe in these factions, or is his novel just a comedy, because it was fairly funny. The return of Jesus to earth was certainly uneventful. He seemed to be more like a mild mannered Clark Kent than Superman. Is Magdalene the nosy (always in trouble) Lois Lane? It seemed that way. Does she get her comeuppance? Can anybody except Al Gore care about all of these afflictions? The novel follows the exploits of Jesus and Magdalene through the genetically modified crops of corn in St. Martin (I’m assuming the country), the deforestation of land for the sake of a resort, and the racial bloodshed between blacks, whites, and gypsies. The author covers a lot of maladies. Does he do a good job? I’m thinking that he does, but I’m still not sure where his head is. Is that a mark of a good writer? Maybe, maybe not. I read his previous novel, The Tragedy of Fidel Castro (see my review of 1/19/2014) with a similar consternation. Is Mr. Cerqueira a Latino version of China Mieville, or an original? School is still out on that subject. But all things considered, It was a reasonably good novel, although different.  

“Jesus returned to Earth by walking down the middle of the road, without anyone noticing his reappearance.” Jesus noticed that, “The people were taller, fatter, hastier, and they no longer wore tunics or sandals…” Thus Jesus returns to modern life in St. Martin. Jesus meets Magdalene at a stall selling books and magazines pertaining to ecology. Magdalene has a twelve member environmental group called Green are the fields. She seems to be in charge of the group but is somewhat challenged by Judas. She sees Jesus as an activist and wants him to join her crew. She tells Jesus about Farmer Joe’s field of genetically modified corn and how her crew tried to destroy it but were chased off the farm. Judas wanted to burn it but was temporarily stopped by Magdalene. She tells Jesus why she is against genetically modified organisms, “Genetically modified organisms are a good example of the threat hanging over mankind. Instead of ending famine by improving traditional farming methods and eliminating protectionism of western farmers, they unleash mutations in pests and make them resistant to pesticides, triggering the collapse of world agriculture.” So the reader now gets a sense of what’s in her head. (I'm on page 23).

The rest of the novel deals with the further exploits of Magdalene’s crew and Jesus. They get involved in world worries such as deforestation, child labor, capitalistic greed, animal rights, and race riots. One wonders what makes Magdalene tick. A good hint is that her favorite novel is Sir Thomas More’s Utopia (see my review of 10/26/2015) and she tries to live her life out of what she learned from More's novel (written in 1516). Does her life end in a similar fashion as Sir Thomas More’s? As I mentioned in the first paragraph, I’m not sure what was in the author’s head when he wrote this novel. Is it a comedy? Is it a tragedy? Is the author for or against all these Al Gore type gaffes. I guess I’m too lazy to read up on Joao Cerqueira’s thoughts. Anyway, I did like this novel better than his previous one, so I do recommend reading his satirical effort.

RATING: 4 out of 5 stars

Comment: Sometimes I wonder where a writer gets his ideas. Both of the novels that I have read of Joao Cerqueira’s are a tad strange. China Mieville created a new genre that he calls weird fiction. Is there a new genre for Cerqueira’s writings? Even Stephen King is now credited with the genre of supernatural fiction along with his standard horror genre. Can one of these authors write the next great American novel? I don’t think so, because the great American novel they would have to surpass is Mark Twain’s Adventures of Huckleberry Finn (see my review of 12/17/2012).

the WITCH of lime street, seance, seduction, and HOUDINI in the spirit world

I wonder how long it took the author, David Jaher, to come up with that book title. Anyway, I do like historical fiction and this was a true event. Shortly after WWI, with the loss of tens of millions from the war and the Spanish (flu) plague, the age of Spiritualism commenced. Why people suddenly had the urge to speak to the dead seems strange to me, but a necromancer (or medium) could make some pretty good money fooling the public. Notwithstanding, some upper echelon people, such as, Sir Arthur Conan Doyle (yes, he of the Sherlock Holmes novels), and Sir Oliver Lodge (a leading British physicist) became vocal supporters of Spiritualism in England. Both Doyle and Lodge lost sons and had a desire to speak to them after their deaths. Doyle asked, “What is the outcome of death?” and spoke of the New Revelation. Sir Lodge, President of The British Society for Psychical Research, claimed to speak to his deceased son, Raymond, through seances with a medium as did Sir Doyle with his deceased son via a former nanny turned medium. In January of 1920, Sir Oliver Lodge arrived in NYC to lecture his Ether of Space theory. The rage in the USA was the Ouija board game and even Thomas Edison was working on a way to communicate with the dead. At the same time Albert Einstein considered the possibility of contacting the dead before dropping the idea.

During Sir Oliver Lodge’s lecture in Boston, he said, “We all have etheric bodies, he explained, which psychics see as bands of variegated light. When a soldier was cut down, he abandoned his physical body-like a shriveled cocoon-for his perfect and permanent form.” After his lecture, he met Dr. Le Roi Crandon and his wife, Mina.The Globe reported, “Sir Oliver Lodge has put the whole question of spiritism and survival after death in a somewhat new light- a light that appeals to many intellectual people.” Dr. Crandon thought that Lodge’s theory was intriguing, but eccentric. Dr. Crandon’s wife, Mina, finds out that she has the talent to communicate with the dead (primarily with her dead brother, Walter) via her seances in the Beacon Hill area of Boston. “Mrs. Crandon’s forte was the motion of objects without apparent cause. Whether Walter (her brother) was in a violent mood or delivering one of his soothing poems, the Victrola (a old record player) piped his favorite songs.” In 1922, Sir Arthur Doyle arrived in NYC to preach his thoughts on spiritualism and spirit photography. Scientific American Magazine’s publisher, Orson Munn, and his editor, James Bird, became interested in all this talk about psychic research. Sir Arthur Doyle challenged the magazine “to conduct an investigation of psychic phenomena.” Munn’s magazine offered two $2,500 prizes for any medium that can prove physical phenomena or spirit photography. “It was ghost they were after.”

Meanwhile the reader is schooled on the life of Ehrich Weiss, the son of a Rabbi from Hungary. Ehrich will later change his name to Harry Houdini. After the Rabbi died, Harry attended seances in an attempt to contact his father. “The disappointing results, not to mention Houdini’s encounters with spooks on the flimflam circuit, were convincing him that there was no such thing as genuine mediumistic power.” Harry and his brother, Dash, then started work as magicians. Harry marries eighteen year old Bess Rahner (a German/Brooklyn girl), who becomes Harry’s show partner, but the show goes badly, and Harry hires on to Dr. Hill’s Traveling Medicine Show (the lowest rung in entertainment). The owner of the largest chain of vaudeville theaters, Martin Beck, sees talent in Harry and offers to take him on. Houdini becomes known as ‘The Handcuff King’ escaping virtually any kind of restraint. The rest is history. Houdini will spend a lot of time exposing mediums as frauds, so when he was offered a position as one of the five judges in Mr. Munn’s magazine contest...he jumps at the chance to expose more fakes. Many mediums take a crack at the prize money and fail to convince the five judges that they are really contacting the dead. By the way, all of this happens very early in the book (the book is 435 pages). The guts of the story is when the judges run into the convincing seances of the above mentioned Mina Crandon (now known as Margery). “Margery’s challenge was to prove that her brother lived after death.” Houdini needed to prove her a fraud. Let the battle begin!

Although sprinkled with some boring and repetitive seance chapters (from 1924-1926), the book was very informative. I had no idea this was going on after WWI, did you? The book culminates with the deaths of all the main characters, including the great Harry Houdini. Now don’t tell me that I should have a spoiler alert...I think that we all know that these people are no longer living. I believe the author did all he could do to make this book as accurate as possible. I do recommend this book, if anything else, at least to increase the knowledge in your noggin.  

RATING: 4 out of 5 stars

Comment: I think that it's fascinating to reproduce the original ad for Munn’s $5,000 challenge:

                                                  ANNOUNCING

                                $5000 FOR PSYCHIC PHENOMENA

As a CONTRIBUTION toward psychic research, the SCIENTIFIC AMERICAN pledges the sum of $5000 to be awarded for conclusive psychic manifestations.

On the basis of existing data we are unable to reach a definite conclusion as to the validity of psychic claims. In the effort to clear up this confusion, and to present our readers with first-hand and authenticated information regarding this most baffling of all studies, we are making this offer.

The SCIENTIFIC AMERICAN will pay $2500 to the first person who produces a psychic photograph under its test conditions and to the full satisfaction of the eminent men who will act as judges.

The SCIENTIFIC AMERICAN will pay $2500 to the first person who produces a visible psychic manifestation of other character, under these conditions and to the full satisfaction of these judges. Purely mental phenomena like telepathy, or purely auditory ones like rappings, will not be eligible for this award. The contest does not revolve about the psychological or religious aspects of the phenomena, but has to do only with genuineness and objective reality.

This is merely a preliminary announcement. The names of the judges, the conditions applying to the seances, the period for which this offer will remain open, etc., will appear in our January issue.

SPARX incarnation: order of the undying (vol. 2)

The author sent an autographed copy of his novel to my thirteen year old grandson, Kai, to review:

Order of the undying brings a satisfying close to the Sparx incarnation series. It continues right where I left off (see my review of 10/22/2016). After wandering the caves, tensions between Nud and his friend, Kabor, were rising. Eventually, it leads to Kabor taking Nud’s Sparx stone. This was very unlucky because when Kabor tries to climb up a hole that may lead to the surface, the hole caves in burying Kabor and Nud’s stone. Although Nud finds his stone, he can’t find Kabor in the rubble.

Heavyhearted, Nud is forced to leave the pile for his own survival. However, his spirits are soon lifted when he discovers something that he would not have believed existed had he not seen it. What he discovered was a creature that resembled a white whale, but with horns that fan out. The white whale has immense knowledge and after studying Nud’s story helps him to figure out how to control the Sparx stone. As they part, the white whale gives him directions to Dromeron Odoon (a underground city). From this point on, Nud’s adventure will begin to shift away from escaping the cave to exposing Harrow’s evil secret.

Generally, it was a good series, but I would have liked more elaboration on what happens after Nud dies from old age. Throughout the novel the author, K.B. Sprague, does a good job except for a somewhat inconclusive ending. I would recommend this novel to YA readers 11-14 years old.

RATING: 4 out of 5 stars

Comment: It’s good to have my grandson, Kai, reviewing the YA book requests that I get (I turn down most of them), since I’m a tad tired of them. My main interest is in the classic and historical fiction genres.

BLEEDING KANSAS

The author sent me an autographed copy of his novel to review:

Dave Eisenstark’s novel about a Quaker boy heading west to avoid combat (Quakers have a history of opposing war) during The Civil War isn’t going to challenge the likes of Owen Wister’s 1902 novel, The Virginian (see my review of 5/7/2016), or Zane Grey’s 1912 novel, Riders of the Purple Sage (see my review of 5/13/2015), but his novel was somewhat entertaining. However, based on the author’s credentials, I think he could have done much better. I thought the prose was too simplistic and coupled with non-vernacular language made the milieu seem modern, not 1865ish. I did like the author’s use of real Confederate guerrillas, such as William Quantrill, Jesse and Frank James, and the Cole Younger gang. The novel is of the historical fiction genre since it covers the border war between Kansas and Missouri. It seems Kansas (the Jayhawkers/Redlegs) wanted a free state supported by the Union Army. The Missouri bushwhackers favored a pro-slavery state supported by the Confederate Army. The term Bleeding Kansas was coined by New York Tribune editor, Horace Greeley (yes, the same man that said, “Go west, young man”).
 
James Deeter, a Quaker farm boy, is now eighteen and is expected to join the Union Army. His father, a Catholic, recently enlisted after getting drunk and dared to join by a saloon patron. James’s mom, a Quaker, taught him the theological beliefs of Quakers. He knows he can’t kill, or he is going to hell. The local recruiter, Lou Hansen, his sons, and his dogs come to take James into the Union Army. James runs west towards Colorado and the gold rush. The Hansens doggedly pursue. James manages to dodge the Hansens and looks up his Uncle Reno in St. Louis. His rotund uncle lets James ride free to Kansas City on his stagecoach line. On the stagecoach, James meets eighteen year old Anna Contreras and instantly falls in love. Anna’s maid, Mrs. Tucker, easily keeps him at bay. Anna says that she is going to visit her Uncle Jim Lane, who is a general in the Union Army. During a stagecoach stop, James goes into the woods in search of water for their canteens. When he comes back, he sees the stagecoach being held up. James recognizes the bandits voices...it’s Lou Hansen and his sons. Since the bandits ask Anna and Mrs. Tucker if they have seen James Deeter, they think James is part of the gang. James runs again. I’m only on page 37.

Without wanting to tell you anymore of the story, James Deeter eventually meets William Quantrill and his gang of 200 men. James is sucked into the gang and seemingly not allowed to leave. This is where the story takes off on its way to the ginormous concluding gunfight in Lawrence, Kansas. Does James get Anna? What happens to the Hansens? Does James have to kill a man? Who wins the gunfight in Lawrence? After reading many classic westerns (besides the two mentioned in the first paragraph), this novel just didn’t move me. I need to see the colloquial language of the times used in order for the novel to be believable for me. Just read any of the westerns I mentioned, or any Mark Twain novel, and you will understand what I’m saying. However, I am recommending this novel since I rate it “okay.”

RATING: 3 out of 5 stars

Comment: According to Americancowboy.com, the following are the top ten westerns ever written (they should know):

1) Lonesome Dove (1985) by Larry McMurtry.
2) All the Pretty Horses (1992) by Cormac McCarthy (see my review of 4/2/2013).
3) Riders of the Purple Sage (1912) by Zane Grey.
4) The Time it Never Rained (1973) by Elmer Kelton.
5) Hondo (1985) by Louis L’Amour.
6) Shane (1949) by Jack Schaeffer.
7) The Shootist (1975) by Glendon Swarthout.
8) The Longhorns (1941) by Frank Dobie.
9) Smoky the Cowhorse (1927) by Will James.
10) The Man who Shot Liberty Valance (1949) Dorothy Johnson.

THE GERMAN GIRL

The historical fiction genre is defined as a novel in which the story is made up but is based on a true event. And in The German Girl, Armando Lucas Correa has written a doozy. In 1939 Nazi Germany, Captain Gustav Schroder (the actual captain) of the S.S. St. Louis ocean liner departed Hamburg, Germany with 937 refugees (mostly Jewish) seeking asylum from Nazi persecution. Their destination was Havana, Cuba. These people gave up their wealth, houses, art work and cars in order to escape sure death if they stayed in Germany. Even though these people gave up everything and paid handsomely for their Cuban visas (where they were to wait in Cuba a few months to two years until the USA approved their visas)...Cuba changed it’s mind when the ship arrived in the port of Havana. America and Canada also denied the ship entrance. What were they to do? This plus the dangerous time spent in Germany are the beginnings of the story. The ensuing chapters switched back and forth to what happened in Cuba and in modern day NYC among the relatives of the Rosenthal family. While Mr. Correa’s prose and plot were outstanding, there was a flaw in his story that somewhat troubled me. The author failed to create tension in his story, mostly when the Rosenthals were still in Germany. It seemed like our protagonist, twelve year old Hannah Rosenthal, and her best friend, Leo Martin, were always romping around Berlin in a somewhat, “Ha ha, catch me if you can” attitude, even after Kristallnacht (the Night of the Broken Glass). I don’t know if any other reviewer noticed this shortcoming. Anyway, I still enjoyed this novel, although this foible almost cost it a five-star rating.

Inside 1939 Germany bad things were happening to the Jewish population. The Rosenthals owned the apartment building they lived in, yet they were basically hiding in their own apartment. Max was a premier college professor until he was fired for being a Jew. His spouse, Alma, was one of the most envied wives in all of Germany until Jews were declared impure. Their tenants wanted them to leave the building. Their daughter, Hannah, and her friend, Leo, scurried all over Berlin listening for news and avoiding the ogres (Hannah’s name for the Aryan populace). Max and Leo’s dad were conspiring to find a way out of Germany before the s**t hit the fan. Hannah had the looks of a pure Aryan and on one of her romps in Berlin with Leo is spotted by a photographer for Das Deutsche Madel (The German Girl) magazine. Her picture is taken before she can run away. Her parents (as Hannah is) are distraught when they see their daughter’s face on the cover of the Nazi propaganda magazine for German girls. Hannah and Leo overhear the latest news on an ogre’s radio, “We were going to have to list all our possessions. Many of us would have to change our names and sell our properties, our houses, and our businesses at prices they dictated. We were monsters. We stole other people’s money. We made slaves of those who had less than us. We were destroying the country’s heritage. We had bled Germany dry. We stank. We believed in different gods. We were crows. We were impure.” The Rosenthals and the Martins had to find a way out of Germany. Don’t get fidgety, I’m only on page 31.

Meanwhile, the novel switches to NYC 2014 where we meet twelve year old Anna and her mom. Her dad, Louis, went to work on 9/11/2001 and never returned. “The day Dad disappeared, Mom was pregnant with me. By just three months. She had the opportunity to get rid of the baby but didn’t take it. She never lost hope that Dad would return, even after receiving the death certificate.” All Anna has of her dad's is a picture of him that she keeps in her bedroom. One day a package arrives from Canada via Cuba. Mom tells Anna, “It’s from your father’s family.” Anna knew that her dad’s parents died in a plane crash but was unaware of any surviving relatives.The envelope is filled with negatives, a postcard of a ship and a magazine with a smiling German girl in profile on the cover. Anna says, “It’s time to find out who Dad is.” Mom says to Anna, “I think it’s time you knew something. On your father’s side, you’re German as well." Anna goes to her bedroom, “In front of the mirror, I try to discover the German traits I must have inherited from a father who up till now I thought was Cuban. What do I see in the mirror? A German girl. Aren’t I a Rosen?” Anna is excited to go to Cuba and meet the woman from Germany who provided for her dad. They develop the pictures but don’t know who the people in the pictures are. Anna and her mom fly to Cuba to meet Great Aunt Hannah.

From hereon in, the novel switches back and forth to 1939 Germany...NYC 2014...the escape from Germany on the ship... the early years for the Rosenthal family in Cuba...to present day Cuba. Normally I don’t like novels that keep switching from present to past, however the author did such a great job with it that I didn’t even notice my past distaste for that writing style. In order for people not to forget, Holocaust books must remain innovative as this novel was. Was this Holocaust novel written without the usual apprehension on purpose or was I right that the author failed to provide any angst? Either way, I highly recommend this historical novel.

RATING: 5 out of 5 stars

Comment: My all-time favorite historical fiction novel/movie involving the Holocaust is Thomas Keneally’s 1982 novel, Schindler’s List. It was heartwarming, if that could be said about the Holocaust.

Goodreads.com says, “During the Holocaust at the German concentration camp near Plaszow, thousands of Jews lost their lives at the hands of the Nazis. More than a thousand others would have been counted among the dead if not for a womanizing, heavy drinking, German-Catholic industrialist and Nazi Party member named Oskar Schindler."

THE KILLING GAME

The author sent me a copy of her novel to read and review:

What started out as a somewhat mushy love story slowly turned into a tension filled crime story pitting the FBI against a Mafia Don (Vincent Luca) in an attempted sting operation. How mushy was the love story between our two protagonists: Ives Andrich, head of the New York division of the FBI, and author, Allina Kovar? Do you remember (if you are old enough) the “we can’t keep our hands off each other” schmaltzy TV show, Hart to Hart (1979 to 1984) starring the two lovebirds, Robert Wagner and Stefanie Powers? Well, this novel’s romantic duo outdid the TV show’s pair by a landslide, although the Andrich/Kovar love affair got muddled once the sting campaign got underway. Since this novel is 491 pages, can I persevere till the end? Luckily, the author, The Black Rose (that’s her pen name), shifted the story into another gear and came up with a credible and exciting story, but not without some flaws, which I’ll talk about later. I thought the infatuation between Ives and Allina was an important set-up for the novel but lasted a few too many chapters before the attempted sting was in progress. By the way, if you enjoy this novel (I’m sure you will), the series continues with, The Chase and The Lost Days. Okay, let me tell you a little bit about the story...just enough to wet your beak. Do you remember that line from the Mafia Don Fanucci in (I think) the second The Godfather movie?

A man in a library suggest to author Allina Kovar that she should write a book about illegal sports betting. Who is this man? Allina writes a novel, titled The Blood Negotiators. Her normal publisher refuses to publish the book. Why? On a flight to NYC to buy a apartment, she finds herself sitting next to Ives Andrich, a publisher. They both immediately fall in love. She doesn’t know that Ives is FBI. Allina buys an expensive apartment in NYC and Ives publishes her novel. But the FBI bigwigs in Washington, DC believe that she knows the NYC Don Vincent Luca and the contents of her book are real. Ives knows that she knows nothing...it’s just a novel. The pressure is on to cross-examine her and find out the truth. After a night out on the town, Ives and Allina are pulled over and arrested. Allina is sent downtown to be grilled by FBI agent Fogherty, while Ives, who reluctantly knew this was coming down, is uncuffed. Ives observes Fogherty interrogating Allina via the infamous blacked-out window in the next room. Fogherty goes too far and roughs up Allina and exposes Ives as an FBI agent who is duping her. On page 45, Fogherty tells Allina, “He’s standing right behind that mirror over there. He’s been watching you the entire time, laughin’ his ass off.” Why did he do that? Ives goes wacko and has Fogherty dragged out of the room and arrested. When she leaves the room, Ives has no choice but to show her his FBI badge.

Somehow Ives convinces Allina that he has loved her ever since he saw her picture in the FBI file and that he doesn’t care about his career...he only wants to spend the rest of his life with her. After some powerful talking, she believes him and they are lovey-dovey again. But now she is curious about nailing this NYC Don. On page 74, Allina asks, “So what do they (the FBI) want?” Ives says, “They think you can get close to Luca. They know you created the entire story you wrote, but Luca doesn’t know that. Because of what you wrote, he’ll think you understand him, and he’ll want you around. The bureau knows that, and that’s a problem.” By the way, Ives has already infiltrated Luca’s family as a trusted moneyman, so he knows how dangerous Don Luca is. On page 86, Allina shocks Ives by saying, “It can’t be that bad. I told you I would help, and I will.” Can they nail Luca for his illegal sports betting activities and his many killings? What kind of trouble will Allina get into with Luca? Can she avoid his sexual advances? Can the love she has for Ives survive this test? So there you go, I’ve reviewed the first 86 pages of a 491 page novel. The last 300 plus pages are electric and must be read like you were savoring a fine wine. So why am I only giving this novel four stars? Well, my fine-feathered friend, it’s because of the many minor flaws. Okay, Let’s talk about the flaws.

My main beef is the editing...in which the author has to take some blame for since she wrote the novel. It’s customary in the literature world to use italics when someone is thinking something. In this novel they are not used. Instead we have the characters saying everything in quotation marks (or punctuation marks) when really the characters are only thinking, such as, “Oh, lucky me”, She thought. This continues for the entire novel. Is it a big deal? I think so because it’s easier for the reader to know if something is being said or thought if it’s edited properly. Another thing that bothered me was the way Allina continually wise-cracked the Don. What would John Gotti do to her, if she talked to him like that? Also how many times does the author have to write about the breakfast, lunch and dinners Luca and Allina had? The novel would probably be a 100 pages shorter if she only wrote about twenty or more of these repasts. Enough is enough. And finally, every time Luca kisses Allina (which is a lot of times), she has to “fanatically” wipe the kiss off her skin when Luca is not looking. Okay, I know she hates him...stop with the numerous wipes! So as you can see, a lot of things annoyed me, especially the repetitive text...yet I liked the novel. Go figure.
 
RATING: 4 out of 5 stars

Comment: How funny is it that Andrich Publishing produced Allina Kovar’s fictitious novel and this novel, The Killing Game. Very clever Black Rose or whoever you are. What are you afraid of? What’s your name? Are you also undercover FBI? The days of George Eliot and George Sand are over (Just having some fun). This novel seemed to stretch like a slinky toy with all the repeat facets, but the author picked herself up off the mat by her bootstraps and finished the novel with a flurry.