DIVAS by the RIVER

The author sent me a copy of this novel to review:

I loved the atmosphere of this maiden novel by Juno Ross. Many years ago, I was in New Orleans for a few days, and in the evening I walked the streets of this wonderful city. I would pop in various clubs for a jazz set and a scotch, then move on to the next club for an encore till the wee hours of the morning. Now, thanks to Juno Ross, I know what goes on behind the scenes. I honestly didn’t think I was going to like this novel, until about 100 pages into it. The novel seemed to have way too many characters, which in my mind is a huge error. The reader doesn’t want to remember 30 plus people and what they do for a living. Most successful writers keep the named characters down to three to a maximum of ten ( see Cormac McCarthy novels, especially The Road (Oprah's Book Club) ). However, Juno managed to pull it off. I was able to remember who was who. Surprisingly, I didn’t have that nonplussed look, I was mindful that Stu was on guitar, and Hans on the bass ( both minor named characters ).  So congratulations to a new author, Juno Ross. Juno is just one of the many nascent authors that I have read this year who could be the bellwethers of future literature.

The story is not in New Orleans, but in the D.C./ Virginia area on the Potomac River. Basically we follow the aspiring careers of three jazz singers trying to make a success. We meet Lorraine Gilligan, a talented college student who can sing scat (skeep-beep de bop-bop beep bop bo-dope skeetle-at-de-op-de-day); Avis, the singer in her husband’s trio, who is unsure of the direction her family is taking; and Izzy, the cross-dressing heir to billions. Essentially, the chapters rotate between these three singers. Initially, I thought this style of writing was a bit muddled, but as the novel progressed, the reader saw how these chapters were going to unite. As I said before, we had a lot of characters, but we also had many jazz clubs, such as: The Fishtown Cafe, Gustave’s, Nitzka’s Restaurant, Mr. Cobblestone’s, and The Four Dudes. It’s amazing how the reader was able to remember all these facets. Now, we come to the important sidebar characters: Tips, Avis’s husband; Hardy Knox, the geezer emcee; Jim, the influential waiter; Contessa Baronessa L’Marquis, the wealthy 67 or 78 year old pianist; Dahlia, a singer; and William Leiderhaus, a bandleader/pianist. After a fashion, all of these characters and places collide to make a marvelous novel. I haven’t told you too much, so you have no reason not to buy your own copy of this avant-garde novel to enjoy.

I’m starting to like this Southern Gothic genre, especially by new authors like Juno Ross. I know the classic writers, such as, Tennessee Williams, Harper lee, and William Faulkner have their vintage novels in place, but it’s time to welcome new writers to this popular genre. You might ask: What are some of the rules of Southern Gothic literature? Lets see, does Juno have a disturbed character? Yes, we have William Leiderhaus ( and a few more ). Do we have a ostracized person? Yes, we have Izzy. Does the novel have repressed people?  Yes, we have all the singers. If you put all these facts together, this novel fits the Southern Gothic genre requirements. I highly recommend this inaugural novel by Juno Ross.

RATING: 3.5 out of 5 stars

Comment: If you’ve followed my reviews and comments, you know that I’ve talked about Southern Gothic literature before. But not the great ‘jazz’ books. According to Theguardian here are some books that you can enjoy:
 
Coming Through Slaughter by Michael Ondaatje. “This is a brilliant novel imagining Buddy Bolden, the man many feel more or less invented jazz in New Orleans at the turn of the 20th century in New Orleans. There is no known recording of Bolden's music. And he spent the last decades of his life in a mental institution. Ondaatje's genius here is to re-invent Bolden and the world of Storyville – New Orleans Red Light District – and make us hear the music he played."

Jazz by Toni Morrison. “Set in Harlem during the Jazz Age, this is the story of interlocking characters in New York and how they made the journey north—tragic, ecstatic, terrible, thrilling. Morrison is one of the few authors who can really make her prose swing, can make you feel what jazz music meant, felt like, did to people, in its first great era."

 Pops: A Life of Louis Armstrong by Terry Teachout. “A terrific and comprehensive biography of the most important figure in jazz, Pops gives you a fully realised Louis Armstrong. And Armstrong not only changed the way music was played, he changed American popular singing. Tony Bennett once said, "If you're not singing like Louis, you're not singing American."
Who could forget Louis singing: “I see skies of blue...Clouds of white...Bright blessed days...Dark sacred nights...And I think to myself...What a wonderful world.” It doesn’t get better than that.

Sweet Thunder: The Life and Times of Sugar Ray Robinson by Wil Haygood. “Sugar Ray Robinson was a boxer, or course, but this wonderful biography taught me more about the world of jazz – its ecology – than almost any other. Here is a portrait of black America, the "Sepia World" from the 1930s on. Robinson carted an old record player with him along with records – Duke Ellington, Fats Waller – so he could warm up to music. Then, he would go into the ring, as Haygood writes, "guided by the jazz in his head and the beckoning lights". He loved musicians, and they loved him. He was "the first modern prizefighter to take culture — music and grace and dance — into the ring with him." The last time I saw Sugar was in the early sixties walking down the street in Waikiki, Hawaii with a beautiful girl on each arm. After all those fights, I couldn’t see a mark on his face.