It seems to me that reviewers either loved Paula Hawkins’s novel or hated it...well I liked it. It was an invigorating way to write a novel while limiting the characters to a "Cormac McCarthy" friendly five. And on top of that, Paula has three narrators telling her story with two being in the same time frame and the third lagging months behind (until the end). Absolutely brilliant. The way the story was written caused this reviewer to want to read more progressively. While I love short chapter books, this is the first one that I can remember that sectioned the short chapters into morning, evening and sometimes afternoons. It doesn’t get any better than that. Although Paula was cautiously descriptive about her five main characters, I had a handle on how I visualized each character. I did read that some readers thought that this novel echoed Alfred Hitchcock’s Rear Window, I would agree but I would merge it with Strangers On A Train (1951). Nonetheless, there are some Hitchcockian (did I just make up a new word?) traits in Paula’s novel. Of course the novel isn’t all ‘peaches and cream’, I did notice some disjointed involvement whenever the red-haired man (near the end we learn that his name is Andy) appeared. I couldn’t figure out why he was in Paula’s novel, it was almost like he was a walk-on from another novel. And it is never defined (well enough for me) why Rachel needed to ride that train every day with no purpose, other than to fool her landlady, Cathy. Why would Cathy care that she was unemployed as long as Rachel was paying the rent? And what did that "little pile of clothes by the edge of the track" have to do with the novel? These are minor complaints, but very few novels escape my fault-finding.
Rachel Watson rides the 8:04 train each morning from Ashbury to London even though she doesn’t have her public relations job anymore. One day she turned up at work “blind drunk after a three-hour lunch with a client.” Rachel insulted the client and lost his business. Rachel was sacked. She also doesn’t have her husband Tom anymore. Since she couldn’t get pregnant, she turned to gin and tonics and forced her husband, Tom, into an affair with Anna Boyd. Rachel was divorced. She nows lives in a rented room in Cathy’s house. And drinking heavily. To make matters worse, the train stops momentarily most mornings by a faulty red signal and from her train seat she can see her old house. Tom still lives there with his new wife Anna and their first baby. But Rachel’s focal point is the house on the same street nearest to the tracks. There she daily observes a seemingly happy couple on their patio or having coffee in their garden. Rachel names them Jason and Jess although she will later learn that they are Scott and Megan. In Rachel’s mind...are they the ideal couple that Tom and her could have been? Is Rachel jealous of this unknown couple's life? She continues to find happiness observing them briefly each morning from her train seat. Then the unthinkable happens one morning. Rachel sees a tall dark stranger kissing Jess (Megan) on Jason (Scott) and Jess’s patio. Rachel thinks to herself, “Why would she do that? Jason loves her, I can see it, they’re happy. I can’t believe she would do that to him, he doesn’t deserve that. I feel a real sense of disappointment, I feel as though I have been cheated on.”
The Megan narrated chapters are always lagging behind Rachel and Anna’s chapters chronologically. The reader learns that Megan has also lost her job and is somewhat depressed. Scott suggests that she should get some therapy. Megan agrees and makes an appointment to see Dr. Kamal Abdic. Don’t think that I’m giving the story away because I’ve only covered about the first thirty pages. Paula Hawkins’s Hitchcockian mystery is ready to explode as Rachel comes home to her room at Cathy’s on a Saturday night. Rachel is beat up, vomiting, hungover and unable to remember what happened that night. She knows that she was in her old neighborhood because her ex-husband Tom has left messages on her phone. Rachel sees the news on the television and learns that Megan has been reported missing. After some time, Rachel goes to the police and tells them that she saw Megan kissing a stranger on the patio. They don’t consider her a reliable witness. The police show her a picture of Dr. Abdic and Rachel I.D’s him as the mystery kisser of Megan. Later Rachel meets Scott at his house and tells him that Dr. Abdic was having an affair with Megan. For some reason she lies and tells Scott that she knew Megan. Has Megan been murdered? Did the doctor do it? Did her husband do it, or whomever? Maybe she is alive. When will Rachel remember what happened on that Saturday night? This is the point where the novel becomes a page turner and where I stop recapping. I only touched on the beginning, all the juicy parts are still ahead. This was an exciting book with some minor flaws, but I highly recommend this maiden thriller by journalist Paula Hawkins.
RATING: 5 out of 5 stars
Comment: Goodreads.com has a list named, Thrillers you must read! Lets talk about a few of the novels on that list:
The Girl with the Dragon Tattoo (2005) by Stieg Larsson. goodreads.com says, “Mikael Blomkvist, a once-respected financial journalist, watches his professional life rapidly crumble around him. Prospects appear bleak until an unexpected (and unsettling) offer to resurrect his name is extended by an old-school titan of Swedish industry. The catch—and there's always a catch—is that Blomkvist must first spend a year researching a mysterious disappearance that has remained unsolved for nearly four decades. With few other options, he accepts and enlists the help of investigator Lisbeth Salander, a misunderstood genius with a cache of authority issues. Little is as it seems in Larsson's novel, but there is at least one constant: you really don't want to mess with the girl with the dragon tattoo.”
Angels & Demons (2000) by Dan Brown. goodreads.com says, “When world-renowned Harvard symbologist Robert Langdon is summoned to a Swiss research facility to analyze a mysterious symbol—seared into the chest of a murdered physicist—he discovers evidence of the unimaginable: the resurgence of an ancient secret brotherhood known as the Illuminati ... the most powerful underground organization ever to walk the earth. The Illuminati…”
The Silence of the Lambs (1988) by Thomas Harris. goodreads.com says, “There's a killer on the loose who knows that beauty is only skin deep, and a trainee investigator who's trying to save her own hide. The only man that can help is locked in an asylum. But he's willing to put a brave face on - if it will help him escape.”
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