CATCH-22

This uproarious satirical novel by Joseph Heller prompted me to think of Robert Crichton’s The Secret Of Santa Vittoria, another novel blending WWII and comedy. Published in 1961, Catch-22 was the forerunner to Richard Hooker’s 1968 novel, Mash: A Novel About Three Army Doctors . It’s not about Army Doctor’s in Korea, but about Army Air Force pilots and bombardiers during WWII stationed on the small island of Pianosa, west of Italy. In order to understand the insanity of this story, the reader has to comprehend what Catch-22 is. In chapter five, Doc Daneeka explains to Yossarian and Orr, his roommate, why he can’t ground them due to insanity: “There was only one catch and that was Catch-22, which specified that a concern for one's own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. 'That's some catch, that catch-22,' he observed. 'It's the best there is, Doc Daneeka agreed.” This catch was why none of the bombing personnel were able to avoid flying mission after mission.

The main character is Captain Yossarian, a bombardier who is convinced he is going to die on a mission. In chapter two, he explains to fellow officer, Clevinger why: "'They're trying to kill me,' Yossarian told him calmly. 'No one's trying to kill you,' Clevinger cried. 'Then why are they shooting at me?' Yossarian asked. 'They're shooting at everyone,' Clevinger answered. 'They're trying to kill everyone.' 'And what difference does that make?'" Yossarian’s fear of dying on a bombing raid was exacerbated by his group commander, Colonel Cathcart. 

The colonel's lack of compassion was buoyed by his desire to be a general and, more importantly, to be featured in The Saturday Evening Post! If the Air Force wanted 40 missions before you could go home, the Colonel wanted 45; and anytime someone came close to the required number of missions, Colonel Cathcart would raise that number. The Colonel is only one of the complex characters in this novel.

I have many favorite characters and situations in this black comedy. The first is Lt. Milo Minderbinder, the mess hall officer. From day one, he wheels and deals like no other war time entrepreneur. He gets away with his shenanigans by telling everyone that they have a share in his enterprises. In chapter 22, he explains his egg business: ”...I make a profit of three and a quarter cents an egg by selling them for four and a quarter cents an egg to the people in Malta I buy them from for seven cents an egg. Of course, I don't make the profit. The syndicate makes the profit. And everybody has a share.” He gets into so many businesses that he even deals with the Germans! In chapter 24, he takes a contract from the Germans to bomb his own base: “This time Milo had gone too far. Bombing his own men and planes was more than even the most phlegmatic observer could stomach, and it looked like the end for him...Milo was all washed up until he opened his books to the public and disclosed the tremendous profit he had made.” Then he says in the same chapter: “I'd like to see the government get out of war altogether and leave the whole field to private industry." As the Milo character gets deeper into the book, it only gets more humorous.

My second favorite character is Major Major Major Major, the squadron commander, who looked like Henry Fonda! People who met him were always impressed by how unimpressive he was. In chapter nine, we learn: “With a little ingenuity and vision, he had made it all but impossible for anyone in the squadron to talk to him, which was just fine with everyone, he noticed, since no one wanted to talk to him anyway.” In chapter ten, we find that: “Major Major never sees anyone in his office while he's in his office.” But you can see him, if he is not in his office. If you try to barge into his tent, he goes out the window. I know it's confusing, but his first, middle and last name was Major, thus the four 'majors' when he got promoted to, you guessed it, Major. This book is a riot.

My third favorite is Major-------de Coverley, Major Major Major Major’s executive officer. Throughout the novel he has a blank for his first name. His function is uncertain at best. He basically pitches horseshoes all day, kidnaps Italian workers, and rents apartments for his men to use on rest leave. As soon as he hears of a city that the U.S. Army has captured, he’s on his way there, usually at the head of the procession in a Jeep. No one (friend or foe) knows who he is. But the reader knows that he is there just to rent apartments for his men. His picture appears in many publications, as if he is leading the conquering army. I’m telling you this book is a gas.

There are two subplots that are absolutely hysterical. The first involves the Chaplain’s hostile assistant, Cpl. Whitcomb. The corporal comes up with the following generic condolence letter: “Dear Mrs., Mr., Miss, or Mr. And Mrs. Daneeka: Words cannot express the deep personal grief I experienced when your husband, son, father, or brother was killed, wounded, or reported missing in action.” This one was sent to Doc Daneeka’s wife, even though the Doc wasn’t dead. Col. Cathcart feels this letter will prove his concern for his men and finally get him in The Saturday Evening Post. He promotes Whitcomb to sergeant! The second subplot revolves around our hero, Yossarian. After Yossarian tells Lt. Nately’s whore that Nately was killed in action, She tries to kill Yossarian and she relentlessly pursues him chapter, after chapter. Nobody knows why she wants to slay him, but it is funny.

The reader will also meet: Chaplain Tappman, who is intimidated by everyone; Nurses Cramer and Duckett; Hungry Joe and his screaming nightmares; Chief White Halfoat, who knows he is going to die of pneumonia; Aarfy, the navigator; and Huple, the fifteen year old pilot, just to mention a few. How Joseph Heller kept track of all these characters is unbelievable. There is so much going on in this book that I had to take notes to remember who is who, and who did what. This is a great American classic and should be read by book lovers of all genres. The great American author Studs Terkel states in the "other voices" section of this book: “You will meet in this astonishing novel, certainly one of the most original in years, madmen of every rank: Major Major Major, on whose unwilling frame the gold leaf is pinned because of his unfortunate resemblance to Henry Fonda; Doc Daneeka, who is declared dead despite his high temperature; Hungry Joe and his fistfights with Huple’s cat; ex-pfc Wintergreen, who has more power than almost anybody.” Enough said?

RATING: 5 out of 5 stars

Comment: That Joseph Heller was really a bombardier in WWII and flew 60 missions on the Italian front gave this novel credibility. How did the idea of the book commence? Well, according to Tracy Daugherty’s book, Just One Catch: The Passionate Life of Joseph Heller, it began this way: "But the most common account Heller gave of the hatching of Catch-22 varied little from what he said to The Paris Review in 1974: 'I was lying in bed in my four-room apartment on the West Side when suddenly this line came to me: ‘It was love at first sight. The first time he saw the chaplain, Someone fell madly in love with him.’ I didn’t have the name Yossarian. The chaplain wasn’t necessarily an army chaplain—he could have been a prison chaplain. But as soon as the opening sentence was available, the book began to evolve clearly in my mind—even most of the particulars… the tone, the form, many of the characters, including some I eventually couldn’t use. All of this took place within an hour and a half. It got me so excited that I did what the cliché says you’re supposed to do: I jumped out of bed and paced the floor.'” The book was born in 1953 and finished in 1961.

According to eNotes, our protagonist, Yossarian is a typical character in a Heller novel: “Heller's use of anachronism reflected the disordered nature of contemporary existence. His protagonists are antiheroes who search for meaning in their lives and struggle to avoid being overwhelmed by such institutions as the military, big business, government, and religion.” They go on to say, “Some critics claim that Heller's later work pales in comparison with Catch-22 and Something Happened, but others maintain that his canon viewed as a whole displays his continued evolution as a writer.”

Three of Heller’s works were turned into movies: Sex and the Single Girl (1964), Casino Royale (1967), and Catch-22 (1970). He died at the age 76 in East Hampton, NY in 1999.